Mastering Fiction: (Self)Reflexivity in Comedy and Art Films
<p>This study investigates a sample of popular comedy films <em>G.O.R.A. Bir Uzay Filmi</em> (Ömer Faruk Sorak, 2004), <em>A.R.O.G: Bir Yontma Taş Filmi</em> (Ali Taner Baltacı & Cem Yılmaz, 2008) ve <em>Yahşi Batı </em>(Ömer Faruk Sorak, 2009) again...
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| Language: | English |
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Hacettepe University
2016-12-01
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| Series: | Momentdergi |
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| Online Access: | http://www.momentdergi.org/index.php/momentdergi/article/view/202 |
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doaj-d24804f434a24ed0a52f88f29abaa5242021-07-02T09:00:10ZengHacettepe UniversityMomentdergi2148-970X2016-12-013210.17572/mj2016.2.339368117Mastering Fiction: (Self)Reflexivity in Comedy and Art FilmsAslı Gön<p>This study investigates a sample of popular comedy films <em>G.O.R.A. Bir Uzay Filmi</em> (Ömer Faruk Sorak, 2004), <em>A.R.O.G: Bir Yontma Taş Filmi</em> (Ali Taner Baltacı & Cem Yılmaz, 2008) ve <em>Yahşi Batı </em>(Ömer Faruk Sorak, 2009) against a sample of art films <em>Mayıs Sıkıntısı </em>(Nuri Bilge Ceylan, 1999),<em> Bekleme Odası</em> (Zeki Demirkubuz, 2003) and <em>Neden Tarkovski Olamıyorum</em> (Murat Düzgünoğlu, 2014) in terms of (self)reflexive aspects. This investigation aims to question whether (self)reflexivity creates an efficient political and/or critical distance and whether this is adequately transferred to viewers.</p><p> </p><p> </p><p> </p>http://www.momentdergi.org/index.php/momentdergi/article/view/202düşünümselliközdüşünümsellikkomedi filmlerisanat filmleri |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Aslı Gön |
| spellingShingle |
Aslı Gön Mastering Fiction: (Self)Reflexivity in Comedy and Art Films Momentdergi düşünümsellik özdüşünümsellik komedi filmleri sanat filmleri |
| author_facet |
Aslı Gön |
| author_sort |
Aslı Gön |
| title |
Mastering Fiction: (Self)Reflexivity in Comedy and Art Films |
| title_short |
Mastering Fiction: (Self)Reflexivity in Comedy and Art Films |
| title_full |
Mastering Fiction: (Self)Reflexivity in Comedy and Art Films |
| title_fullStr |
Mastering Fiction: (Self)Reflexivity in Comedy and Art Films |
| title_full_unstemmed |
Mastering Fiction: (Self)Reflexivity in Comedy and Art Films |
| title_sort |
mastering fiction: (self)reflexivity in comedy and art films |
| publisher |
Hacettepe University |
| series |
Momentdergi |
| issn |
2148-970X |
| publishDate |
2016-12-01 |
| description |
<p>This study investigates a sample of popular comedy films <em>G.O.R.A. Bir Uzay Filmi</em> (Ömer Faruk Sorak, 2004), <em>A.R.O.G: Bir Yontma Taş Filmi</em> (Ali Taner Baltacı & Cem Yılmaz, 2008) ve <em>Yahşi Batı </em>(Ömer Faruk Sorak, 2009) against a sample of art films <em>Mayıs Sıkıntısı </em>(Nuri Bilge Ceylan, 1999),<em> Bekleme Odası</em> (Zeki Demirkubuz, 2003) and <em>Neden Tarkovski Olamıyorum</em> (Murat Düzgünoğlu, 2014) in terms of (self)reflexive aspects. This investigation aims to question whether (self)reflexivity creates an efficient political and/or critical distance and whether this is adequately transferred to viewers.</p><p> </p><p> </p><p> </p> |
| topic |
düşünümsellik özdüşünümsellik komedi filmleri sanat filmleri |
| url |
http://www.momentdergi.org/index.php/momentdergi/article/view/202 |
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AT aslıgon masteringfictionselfreflexivityincomedyandartfilms |
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