Ana Mendieta: Performance in the way of the primitive
“The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s...
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Universidad Complutense de Madrid
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Online Access: | http://revistas.ucm.es/index.php/ARIS/article/view/40564 |
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doaj-d200b4cfad0a4470acade252ff2e99122020-11-24T22:01:56ZengUniversidad Complutense de MadridArte, Individuo y Sociedad1131-55981988-24082014-01-01261678210.5209/rev_ARIS.2014.v26.n1.4056442589Ana Mendieta: Performance in the way of the primitiveAlejandro Javier del Valle-Cordero0Universidad Pompeu Fabra“The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s psychology or Erwin Goffman’s sociology. However, focusing on the special perception of her real and magic art, from 1972, we introduce Mendieta within a Primitivistc- movement from the second half of the twentieth century as an art form that functions of in the way of the primitive. Therefore, a redefinition of Mendieta’s performance is required: in this paper, we suggest a convergence between anthropology, theatre and performance, starting with the analysis on the duality in social drama defended by Victor Turner. Therefore, the performance of Ana Mendieta would present two processes or states that are distinguished from the signifier.http://revistas.ucm.es/index.php/ARIS/article/view/40564performanceprimitivismoarte primitivoantropologíasociología |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Alejandro Javier del Valle-Cordero |
spellingShingle |
Alejandro Javier del Valle-Cordero Ana Mendieta: Performance in the way of the primitive Arte, Individuo y Sociedad performance primitivismo arte primitivo antropología sociología |
author_facet |
Alejandro Javier del Valle-Cordero |
author_sort |
Alejandro Javier del Valle-Cordero |
title |
Ana Mendieta: Performance in the way of the primitive |
title_short |
Ana Mendieta: Performance in the way of the primitive |
title_full |
Ana Mendieta: Performance in the way of the primitive |
title_fullStr |
Ana Mendieta: Performance in the way of the primitive |
title_full_unstemmed |
Ana Mendieta: Performance in the way of the primitive |
title_sort |
ana mendieta: performance in the way of the primitive |
publisher |
Universidad Complutense de Madrid |
series |
Arte, Individuo y Sociedad |
issn |
1131-5598 1988-2408 |
publishDate |
2014-01-01 |
description |
“The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s psychology or Erwin Goffman’s sociology. However, focusing on the special perception of her real and magic art, from 1972, we introduce Mendieta within a Primitivistc- movement from the second half of the twentieth century as an art form that functions of in the way of the primitive. Therefore, a redefinition of Mendieta’s performance is required: in this paper, we suggest a convergence between anthropology, theatre and performance, starting with the analysis on the duality in social drama defended by Victor Turner. Therefore, the performance of Ana Mendieta would present two processes or states that are distinguished from the signifier. |
topic |
performance primitivismo arte primitivo antropología sociología |
url |
http://revistas.ucm.es/index.php/ARIS/article/view/40564 |
work_keys_str_mv |
AT alejandrojavierdelvallecordero anamendietaperformanceinthewayoftheprimitive |
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1725837772117245952 |