Ana Mendieta: Performance in the way of the primitive

“The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s...

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Main Author: Alejandro Javier del Valle-Cordero
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2014-01-01
Series:Arte, Individuo y Sociedad
Subjects:
Online Access:http://revistas.ucm.es/index.php/ARIS/article/view/40564
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spelling doaj-d200b4cfad0a4470acade252ff2e99122020-11-24T22:01:56ZengUniversidad Complutense de MadridArte, Individuo y Sociedad1131-55981988-24082014-01-01261678210.5209/rev_ARIS.2014.v26.n1.4056442589Ana Mendieta: Performance in the way of the primitiveAlejandro Javier del Valle-Cordero0Universidad Pompeu Fabra“The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s psychology or Erwin Goffman’s sociology. However, focusing on the special perception of her real and magic art, from 1972, we introduce Mendieta within a Primitivistc- movement from the second half of the twentieth century as an art form that functions of in the way of the primitive. Therefore, a redefinition of Mendieta’s performance is required: in this paper, we suggest a convergence between anthropology, theatre and performance, starting with the analysis on the duality in social drama defended by Victor Turner. Therefore, the performance of Ana Mendieta would present two processes or states that are distinguished from the signifier.http://revistas.ucm.es/index.php/ARIS/article/view/40564performanceprimitivismoarte primitivoantropologíasociología
collection DOAJ
language English
format Article
sources DOAJ
author Alejandro Javier del Valle-Cordero
spellingShingle Alejandro Javier del Valle-Cordero
Ana Mendieta: Performance in the way of the primitive
Arte, Individuo y Sociedad
performance
primitivismo
arte primitivo
antropología
sociología
author_facet Alejandro Javier del Valle-Cordero
author_sort Alejandro Javier del Valle-Cordero
title Ana Mendieta: Performance in the way of the primitive
title_short Ana Mendieta: Performance in the way of the primitive
title_full Ana Mendieta: Performance in the way of the primitive
title_fullStr Ana Mendieta: Performance in the way of the primitive
title_full_unstemmed Ana Mendieta: Performance in the way of the primitive
title_sort ana mendieta: performance in the way of the primitive
publisher Universidad Complutense de Madrid
series Arte, Individuo y Sociedad
issn 1131-5598
1988-2408
publishDate 2014-01-01
description “The interpretations of Ana Mendieta´s works usually provide a typical reading related to her biography and her bibliographic legacy. She appears as a ritual and performance artist alongside other artists such as the Vienna Actionists, and her work has been often justified through to Sigmund Freud’s psychology or Erwin Goffman’s sociology. However, focusing on the special perception of her real and magic art, from 1972, we introduce Mendieta within a Primitivistc- movement from the second half of the twentieth century as an art form that functions of in the way of the primitive. Therefore, a redefinition of Mendieta’s performance is required: in this paper, we suggest a convergence between anthropology, theatre and performance, starting with the analysis on the duality in social drama defended by Victor Turner. Therefore, the performance of Ana Mendieta would present two processes or states that are distinguished from the signifier.
topic performance
primitivismo
arte primitivo
antropología
sociología
url http://revistas.ucm.es/index.php/ARIS/article/view/40564
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