Who’s Afraid Of Fictional Characters?

What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a...

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Bibliographic Details
Main Author: Carola Barbero
Format: Article
Language:English
Published: Rosenberg & Sellier 2017-12-01
Series:Rivista di Estetica
Subjects:
Online Access:http://journals.openedition.org/estetica/3271
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spelling doaj-d1a13f6f21c240b8ae1f37e54ce3c76c2020-11-24T22:51:59ZengRosenberg & SellierRivista di Estetica0035-62122421-58642017-12-016614816410.4000/estetica.3271Who’s Afraid Of Fictional Characters?Carola BarberoWhat happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them).http://journals.openedition.org/estetica/3271fictionemotionparadox ontology
collection DOAJ
language English
format Article
sources DOAJ
author Carola Barbero
spellingShingle Carola Barbero
Who’s Afraid Of Fictional Characters?
Rivista di Estetica
fiction
emotion
paradox ontology
author_facet Carola Barbero
author_sort Carola Barbero
title Who’s Afraid Of Fictional Characters?
title_short Who’s Afraid Of Fictional Characters?
title_full Who’s Afraid Of Fictional Characters?
title_fullStr Who’s Afraid Of Fictional Characters?
title_full_unstemmed Who’s Afraid Of Fictional Characters?
title_sort who’s afraid of fictional characters?
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2017-12-01
description What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them).
topic fiction
emotion
paradox ontology
url http://journals.openedition.org/estetica/3271
work_keys_str_mv AT carolabarbero whosafraidoffictionalcharacters
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