Who’s Afraid Of Fictional Characters?
What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a...
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Rosenberg & Sellier
2017-12-01
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Series: | Rivista di Estetica |
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Online Access: | http://journals.openedition.org/estetica/3271 |
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doaj-d1a13f6f21c240b8ae1f37e54ce3c76c2020-11-24T22:51:59ZengRosenberg & SellierRivista di Estetica0035-62122421-58642017-12-016614816410.4000/estetica.3271Who’s Afraid Of Fictional Characters?Carola BarberoWhat happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them).http://journals.openedition.org/estetica/3271fictionemotionparadox ontology |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Carola Barbero |
spellingShingle |
Carola Barbero Who’s Afraid Of Fictional Characters? Rivista di Estetica fiction emotion paradox ontology |
author_facet |
Carola Barbero |
author_sort |
Carola Barbero |
title |
Who’s Afraid Of Fictional Characters? |
title_short |
Who’s Afraid Of Fictional Characters? |
title_full |
Who’s Afraid Of Fictional Characters? |
title_fullStr |
Who’s Afraid Of Fictional Characters? |
title_full_unstemmed |
Who’s Afraid Of Fictional Characters? |
title_sort |
who’s afraid of fictional characters? |
publisher |
Rosenberg & Sellier |
series |
Rivista di Estetica |
issn |
0035-6212 2421-5864 |
publishDate |
2017-12-01 |
description |
What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them). |
topic |
fiction emotion paradox ontology |
url |
http://journals.openedition.org/estetica/3271 |
work_keys_str_mv |
AT carolabarbero whosafraidoffictionalcharacters |
_version_ |
1725667704485969920 |