Lacan Frames Scorsese’s Paintings in The Age of Innocence
This article, which brings together film, psychoanalysis, literature, and art, focuses on the role of paintings in Martin Scorsese’s The Age of Innocence (1993). Scorsese conveys the imprisonment of New York aristocrats within the framework of social conventions and their evasions of social restrict...
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| Format: | Article |
| Language: | English |
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Sciendo
2014-12-01
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| Series: | American, British and Canadian Studies Journal |
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| Online Access: | https://doi.org/10.1515/abcsj-2014-0026 |