Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance

This article aims to extend the idea that screendance is a set of dispositions and elements which can create a common practice for artists of various backgrounds. Instead of focusing on formal qualities and the type of works that may result from these, this review envisions screendance as a posture...

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Main Author: Priscilla Guy
Format: Article
Language:English
Published: The Ohio State University Libraries 2016-10-01
Series:The International Journal of Screendance
Subjects:
Online Access:http://screendancejournal.org/article/view/5469
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spelling doaj-d04fdf7247e341649bca0fb4ac7fb6362020-11-24T21:54:05ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782016-10-017010.18061/ijsd.v7i0.54693661Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of ScreendancePriscilla GuyThis article aims to extend the idea that screendance is a set of dispositions and elements which can create a common practice for artists of various backgrounds. Instead of focusing on formal qualities and the type of works that may result from these, this review envisions screendance as a posture towards art making: a way of accessing new creative ideas, a way of looking at new and old artworks, a way of creating works, and a way of thinking. This review first provides an overview and assessment of the inaugural edition and curatorial framework of the Light Moves Festival of Screendance which took place in Limerick, Ireland in 2014 and which propels alternate ideas about screendance. This is followed by a critical review of Davies and Hinton’s film All This Can Happen (2013), in particular its approach to narrative and the construction of meaning, to expand on the discussion. The review closes with a statement in favor of independent and experimental approaches within this rich playground where dance, performance, digital media, visual arts, and cinema meet.http://screendancejournal.org/article/view/5469alternate perspectivesexperimental approachesdiscussionextended definitionscritical review
collection DOAJ
language English
format Article
sources DOAJ
author Priscilla Guy
spellingShingle Priscilla Guy
Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
The International Journal of Screendance
alternate perspectives
experimental approaches
discussion
extended definitions
critical review
author_facet Priscilla Guy
author_sort Priscilla Guy
title Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
title_short Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
title_full Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
title_fullStr Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
title_full_unstemmed Screendance as a Question: All This Can Happen and the First Edition of the Light Moves Festival of Screendance
title_sort screendance as a question: all this can happen and the first edition of the light moves festival of screendance
publisher The Ohio State University Libraries
series The International Journal of Screendance
issn 2154-6878
publishDate 2016-10-01
description This article aims to extend the idea that screendance is a set of dispositions and elements which can create a common practice for artists of various backgrounds. Instead of focusing on formal qualities and the type of works that may result from these, this review envisions screendance as a posture towards art making: a way of accessing new creative ideas, a way of looking at new and old artworks, a way of creating works, and a way of thinking. This review first provides an overview and assessment of the inaugural edition and curatorial framework of the Light Moves Festival of Screendance which took place in Limerick, Ireland in 2014 and which propels alternate ideas about screendance. This is followed by a critical review of Davies and Hinton’s film All This Can Happen (2013), in particular its approach to narrative and the construction of meaning, to expand on the discussion. The review closes with a statement in favor of independent and experimental approaches within this rich playground where dance, performance, digital media, visual arts, and cinema meet.
topic alternate perspectives
experimental approaches
discussion
extended definitions
critical review
url http://screendancejournal.org/article/view/5469
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