Un, personne, cent mille : dépersonnalisation de l’écriture et perte d’identité
Studying two of Luigi Pirandello’s first and last stories, Il fu Mattia Pascal (1904) and Uno, nessuno e centomilla (1926), we will show that Pirandello’s fiction performs a reconfiguration of the character, and how it is linked to the removal of narrative instance that Flaubert’s text inaugurated....
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2015-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | http://journals.openedition.org/flaubert/2467 |