Opera at Columbia University, 1941-1958
The following essay was written, and the accompanying material com-piled, in 1961. With the exception of the addition of some singers' names, the essay has been only slightly revised; at this late date it would be diffi-cult to find and to correct any errors in the production data. My purpose...
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2000-02-01
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Series: | Current Musicology |
Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4814 |
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doaj-d00c8010a7f64eef91c4fa8d4745ff872020-11-25T03:36:08ZengColumbia University LibrariesCurrent Musicology0011-37352000-02-017010.7916/cm.v0i70.4814Opera at Columbia University, 1941-1958Jack Beeson The following essay was written, and the accompanying material com-piled, in 1961. With the exception of the addition of some singers' names, the essay has been only slightly revised; at this late date it would be diffi-cult to find and to correct any errors in the production data. My purpose forty years ago was simply to record a short but vibrant pe-riod in the history of American opera through my experience as coach and conductor in the Columbia Opera Workshop and the closely related series of American opera premieres. https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4814 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Jack Beeson |
spellingShingle |
Jack Beeson Opera at Columbia University, 1941-1958 Current Musicology |
author_facet |
Jack Beeson |
author_sort |
Jack Beeson |
title |
Opera at Columbia University, 1941-1958 |
title_short |
Opera at Columbia University, 1941-1958 |
title_full |
Opera at Columbia University, 1941-1958 |
title_fullStr |
Opera at Columbia University, 1941-1958 |
title_full_unstemmed |
Opera at Columbia University, 1941-1958 |
title_sort |
opera at columbia university, 1941-1958 |
publisher |
Columbia University Libraries |
series |
Current Musicology |
issn |
0011-3735 |
publishDate |
2000-02-01 |
description |
The following essay was written, and the accompanying material com-piled, in 1961. With the exception of the addition of some singers' names, the essay has been only slightly revised; at this late date it would be diffi-cult to find and to correct any errors in the production data. My purpose forty years ago was simply to record a short but vibrant pe-riod in the history of American opera through my experience as coach and conductor in the Columbia Opera Workshop and the closely related series of American opera premieres.
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https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4814 |
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AT jackbeeson operaatcolumbiauniversity19411958 |
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