Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase

While learning from observation is generally regarded as major learning mode for motor actions, evidence from dance practice suggests that learning dance movement through verbal instruction might provide a promising way to support dancers' individual interpretation of and identification with th...

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Main Authors: Bettina E. Bläsing, Jenny Coogan, José Biondi, Thomas Schack
Format: Article
Language:English
Published: Frontiers Media S.A. 2018-11-01
Series:Frontiers in Psychology
Subjects:
Online Access:https://www.frontiersin.org/article/10.3389/fpsyg.2018.02371/full
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spelling doaj-cff5df7a104a4be5b8d27fafae8316a82020-11-24T21:53:39ZengFrontiers Media S.A.Frontiers in Psychology1664-10782018-11-01910.3389/fpsyg.2018.02371406662Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance PhraseBettina E. Bläsing0Bettina E. Bläsing1Jenny Coogan2José Biondi3Thomas Schack4Neurocognition and Action Research Group & Center of Excellence Cognitive Interaction Technology, Bielefeld University, Bielefeld, GermanyDepartment of Music and Movement in Rehabilitation and Therapy, Faculty of Rehabilitation Science, Technical University Dortmund, Dortmund, GermanyPalucca Hochschule für Tanz Dresden, Dresden, GermanyPalucca Hochschule für Tanz Dresden, Dresden, GermanyNeurocognition and Action Research Group & Center of Excellence Cognitive Interaction Technology, Bielefeld University, Bielefeld, GermanyWhile learning from observation is generally regarded as major learning mode for motor actions, evidence from dance practice suggests that learning dance movement through verbal instruction might provide a promising way to support dancers' individual interpretation of and identification with the movement material. In this multidisciplinary project, we conducted a study on the learning of dance movement through two modalities, observation of a human model in a video clip and listening to the audio-recording of a verbal movement instruction. Eighteen second year dance students learned two dance phrases, one from observation and one from verbal instruction, and were video-recorded performing the learned material. In a second learning step, they were presented the complementary information from the other modality, and their performance was recorded again. A third recording was carried out in a retention test 10 days after learning. Completeness scores representing the recall of the dance phrases, expert ratings addressing the performance quality and questionnaires reflecting the participants' personal impressions were used to evaluate and compare the performance at different stages of the learning process. Results show that learning from observation resulted in better learning outcomes in terms of both recall and approximation of the model phrase, whereas individual interpretation of the learned movement material was rated equally good after initially verbal and initially visual learning. According to the questionnaires, most participants preferred learning initially from observation and found it more familiar, which points toward an influence of learning habit caused by common training practice. The findings suggest that learning dance movement initially from observation is more beneficial than from verbal instruction, and add aspects with regards to multimodal movement learning with potential relevance for dance teaching and training.https://www.frontiersin.org/article/10.3389/fpsyg.2018.02371/fullmotor learningobservationverbal instructionrecallperformancedance
collection DOAJ
language English
format Article
sources DOAJ
author Bettina E. Bläsing
Bettina E. Bläsing
Jenny Coogan
José Biondi
Thomas Schack
spellingShingle Bettina E. Bläsing
Bettina E. Bläsing
Jenny Coogan
José Biondi
Thomas Schack
Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
Frontiers in Psychology
motor learning
observation
verbal instruction
recall
performance
dance
author_facet Bettina E. Bläsing
Bettina E. Bläsing
Jenny Coogan
José Biondi
Thomas Schack
author_sort Bettina E. Bläsing
title Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
title_short Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
title_full Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
title_fullStr Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
title_full_unstemmed Watching or Listening: How Visual and Verbal Information Contribute to Learning a Complex Dance Phrase
title_sort watching or listening: how visual and verbal information contribute to learning a complex dance phrase
publisher Frontiers Media S.A.
series Frontiers in Psychology
issn 1664-1078
publishDate 2018-11-01
description While learning from observation is generally regarded as major learning mode for motor actions, evidence from dance practice suggests that learning dance movement through verbal instruction might provide a promising way to support dancers' individual interpretation of and identification with the movement material. In this multidisciplinary project, we conducted a study on the learning of dance movement through two modalities, observation of a human model in a video clip and listening to the audio-recording of a verbal movement instruction. Eighteen second year dance students learned two dance phrases, one from observation and one from verbal instruction, and were video-recorded performing the learned material. In a second learning step, they were presented the complementary information from the other modality, and their performance was recorded again. A third recording was carried out in a retention test 10 days after learning. Completeness scores representing the recall of the dance phrases, expert ratings addressing the performance quality and questionnaires reflecting the participants' personal impressions were used to evaluate and compare the performance at different stages of the learning process. Results show that learning from observation resulted in better learning outcomes in terms of both recall and approximation of the model phrase, whereas individual interpretation of the learned movement material was rated equally good after initially verbal and initially visual learning. According to the questionnaires, most participants preferred learning initially from observation and found it more familiar, which points toward an influence of learning habit caused by common training practice. The findings suggest that learning dance movement initially from observation is more beneficial than from verbal instruction, and add aspects with regards to multimodal movement learning with potential relevance for dance teaching and training.
topic motor learning
observation
verbal instruction
recall
performance
dance
url https://www.frontiersin.org/article/10.3389/fpsyg.2018.02371/full
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