Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?

As the law breaker, Cain appears as ideally situated to examine the issue of moral censorship. The United States, with its stern history of authoritarian Puritanism, offers a perfect locus for the study of censorship. Thus, the analysis of the evolution of the Cain fi...

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Bibliographic Details
Main Author: Claude Le Fustec
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2013-11-01
Series:Revue LISA
Subjects:
law
Online Access:http://journals.openedition.org/lisa/5483
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spelling doaj-cfeb21abee814c00be32a6382c8f84572021-10-02T09:36:27ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532013-11-0110.4000/lisa.5483Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?Claude Le FustecAs the law breaker, Cain appears as ideally situated to examine the issue of moral censorship. The United States, with its stern history of authoritarian Puritanism, offers a perfect locus for the study of censorship. Thus, the analysis of the evolution of the Cain figure in the literature of the United States cannot but provide a unique viewpoint on the tricky issue of this powerful western country’s evolving stance toward law and authority. Focusing on three American novels from different periods, The Scarlet Letter (1850), East of Eden (1952), and Sula (1973), this study hopes to expose the complexification of the traditional Christian reading of the evil transgressor. In a post-Christian age, Cain has stopped being censured. This means no mere axiological inversion but a complexification of moral matters paradoxically raising fundamental ontological questions in a world supposedly devoid of transcendence. Through the characters of Hester, Caleb and Sula and the evolution from one to the other as specific Cain figures, one may perceive a whole society’s ideological metamorphosis with respect to normative moral thinking.http://journals.openedition.org/lisa/5483CainUS FictionMoral censorshipTranscendencelawjustice
collection DOAJ
language English
format Article
sources DOAJ
author Claude Le Fustec
spellingShingle Claude Le Fustec
Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
Revue LISA
Cain
US Fiction
Moral censorship
Transcendence
law
justice
author_facet Claude Le Fustec
author_sort Claude Le Fustec
title Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
title_short Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
title_full Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
title_fullStr Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
title_full_unstemmed Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship?
title_sort law vs letter. the evolution of the cain figure in us literature: transcending moral censorship?
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2013-11-01
description As the law breaker, Cain appears as ideally situated to examine the issue of moral censorship. The United States, with its stern history of authoritarian Puritanism, offers a perfect locus for the study of censorship. Thus, the analysis of the evolution of the Cain figure in the literature of the United States cannot but provide a unique viewpoint on the tricky issue of this powerful western country’s evolving stance toward law and authority. Focusing on three American novels from different periods, The Scarlet Letter (1850), East of Eden (1952), and Sula (1973), this study hopes to expose the complexification of the traditional Christian reading of the evil transgressor. In a post-Christian age, Cain has stopped being censured. This means no mere axiological inversion but a complexification of moral matters paradoxically raising fundamental ontological questions in a world supposedly devoid of transcendence. Through the characters of Hester, Caleb and Sula and the evolution from one to the other as specific Cain figures, one may perceive a whole society’s ideological metamorphosis with respect to normative moral thinking.
topic Cain
US Fiction
Moral censorship
Transcendence
law
justice
url http://journals.openedition.org/lisa/5483
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