Didascalias: the skin of the theater

This paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of th...

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Main Author: Laura Gabriela Conde
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2017-03-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954
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spelling doaj-cf38e998e00847e4a5b16e73a336f8b62020-11-24T22:55:23ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762017-03-0161181931677Didascalias: the skin of the theaterLaura Gabriela Conde0CTCL/FaHCE/Universidad Nacional de La PlataThis paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of the actual event in one of the instances of composition, production, performance and publication of the text, and the mute speech (Rancière) which –in the difference between being present and absent– enables us to understand appearance as the spacing of future readings by directors, actors, stage designers, among other agents of the theater and non-specialized readers.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954Dramaturgiapuesta en escenadidascaliascorpusjuntura
collection DOAJ
language Spanish
format Article
sources DOAJ
author Laura Gabriela Conde
spellingShingle Laura Gabriela Conde
Didascalias: the skin of the theater
Estudios de Teoría Literaria
Dramaturgia
puesta en escena
didascalias
corpus
juntura
author_facet Laura Gabriela Conde
author_sort Laura Gabriela Conde
title Didascalias: the skin of the theater
title_short Didascalias: the skin of the theater
title_full Didascalias: the skin of the theater
title_fullStr Didascalias: the skin of the theater
title_full_unstemmed Didascalias: the skin of the theater
title_sort didascalias: the skin of the theater
publisher Universidad Nacional de Mar del Plata
series Estudios de Teoría Literaria
issn 2313-9676
publishDate 2017-03-01
description This paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of the actual event in one of the instances of composition, production, performance and publication of the text, and the mute speech (Rancière) which –in the difference between being present and absent– enables us to understand appearance as the spacing of future readings by directors, actors, stage designers, among other agents of the theater and non-specialized readers.
topic Dramaturgia
puesta en escena
didascalias
corpus
juntura
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954
work_keys_str_mv AT lauragabrielaconde didascaliastheskinofthetheater
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