Didascalias: the skin of the theater
This paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of th...
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Universidad Nacional de Mar del Plata
2017-03-01
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Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954 |
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doaj-cf38e998e00847e4a5b16e73a336f8b62020-11-24T22:55:23ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762017-03-0161181931677Didascalias: the skin of the theaterLaura Gabriela Conde0CTCL/FaHCE/Universidad Nacional de La PlataThis paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of the actual event in one of the instances of composition, production, performance and publication of the text, and the mute speech (Rancière) which –in the difference between being present and absent– enables us to understand appearance as the spacing of future readings by directors, actors, stage designers, among other agents of the theater and non-specialized readers.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954Dramaturgiapuesta en escenadidascaliascorpusjuntura |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Laura Gabriela Conde |
spellingShingle |
Laura Gabriela Conde Didascalias: the skin of the theater Estudios de Teoría Literaria Dramaturgia puesta en escena didascalias corpus juntura |
author_facet |
Laura Gabriela Conde |
author_sort |
Laura Gabriela Conde |
title |
Didascalias: the skin of the theater |
title_short |
Didascalias: the skin of the theater |
title_full |
Didascalias: the skin of the theater |
title_fullStr |
Didascalias: the skin of the theater |
title_full_unstemmed |
Didascalias: the skin of the theater |
title_sort |
didascalias: the skin of the theater |
publisher |
Universidad Nacional de Mar del Plata |
series |
Estudios de Teoría Literaria |
issn |
2313-9676 |
publishDate |
2017-03-01 |
description |
This paper proposes a reading of didascalia as corpus (Nancy) and hinge (Derrida), limit trope of the dramatic text at both theoretical and theatrical levels. This research intends to reflect on its potential as a trace which describes both the corpus which allows for the recovery of something of the actual event in one of the instances of composition, production, performance and publication of the text, and the mute speech (Rancière) which –in the difference between being present and absent– enables us to understand appearance as the spacing of future readings by directors, actors, stage designers, among other agents of the theater and non-specialized readers. |
topic |
Dramaturgia puesta en escena didascalias corpus juntura |
url |
http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1954 |
work_keys_str_mv |
AT lauragabrielaconde didascaliastheskinofthetheater |
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1725656574398038016 |