The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić

The problem of human freedom, as the author says, has always been a challenging theme for literary creators. In 'The Legend of the Great Inquisitor' in The Brothers Karamazovi, Dostoyevsky problematized the phenomenon of freedom and citizenship. The essence of his considerations consists o...

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Main Author: Jeftimijević-Mihajlović Marija
Format: Article
Language:English
Published: Institute of Serbian Culture Priština, Leposavić 2010-01-01
Series:Baština
Online Access:https://scindeks-clanci.ceon.rs/data/pdf/0353-9008/2010/0353-90081028039J.pdf
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spelling doaj-cf1e29bc95ad43b486ff5a5a281b5d972020-11-25T02:32:58ZengInstitute of Serbian Culture Priština, LeposavićBaština0353-90082683-57972010-01-0120102839490353-90081028039JThe power and citizenship in the roman The Master Is Coming Tomorrow of Petar SarićJeftimijević-Mihajlović Marija0nemaThe problem of human freedom, as the author says, has always been a challenging theme for literary creators. In 'The Legend of the Great Inquisitor' in The Brothers Karamazovi, Dostoyevsky problematized the phenomenon of freedom and citizenship. The essence of his considerations consists of the following: man is much too weak in order to endure' ponderous burden of freedom'; he would rather join a citizenship mass than become on his own and free. Furthermore, the author introduce the roman of Petar Sarić The Master Is Coming Tomorrow, and states that it largely relies on these attitudes of Dostoyevsky. This is not only his image of power and reign, but the one of citizenship and citizen as well. In fact, it is not only the Master who makes the mechanism of the absolute power as the holder of power but the people of subject to whom almighty Master is in dispensable as well. By taking pictures of the citizens, Sarić managed to show the mechanism of mastery it self bearing in mind the fact despotism and being of a subject are to be connected in a cause-effect manner. By this roman, Sarić is classifying him self in the rank of gifted creators who had courage to confront not only with the inside of human nature but with the one of the history as well.https://scindeks-clanci.ceon.rs/data/pdf/0353-9008/2010/0353-90081028039J.pdf
collection DOAJ
language English
format Article
sources DOAJ
author Jeftimijević-Mihajlović Marija
spellingShingle Jeftimijević-Mihajlović Marija
The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
Baština
author_facet Jeftimijević-Mihajlović Marija
author_sort Jeftimijević-Mihajlović Marija
title The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
title_short The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
title_full The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
title_fullStr The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
title_full_unstemmed The power and citizenship in the roman The Master Is Coming Tomorrow of Petar Sarić
title_sort power and citizenship in the roman the master is coming tomorrow of petar sarić
publisher Institute of Serbian Culture Priština, Leposavić
series Baština
issn 0353-9008
2683-5797
publishDate 2010-01-01
description The problem of human freedom, as the author says, has always been a challenging theme for literary creators. In 'The Legend of the Great Inquisitor' in The Brothers Karamazovi, Dostoyevsky problematized the phenomenon of freedom and citizenship. The essence of his considerations consists of the following: man is much too weak in order to endure' ponderous burden of freedom'; he would rather join a citizenship mass than become on his own and free. Furthermore, the author introduce the roman of Petar Sarić The Master Is Coming Tomorrow, and states that it largely relies on these attitudes of Dostoyevsky. This is not only his image of power and reign, but the one of citizenship and citizen as well. In fact, it is not only the Master who makes the mechanism of the absolute power as the holder of power but the people of subject to whom almighty Master is in dispensable as well. By taking pictures of the citizens, Sarić managed to show the mechanism of mastery it self bearing in mind the fact despotism and being of a subject are to be connected in a cause-effect manner. By this roman, Sarić is classifying him self in the rank of gifted creators who had courage to confront not only with the inside of human nature but with the one of the history as well.
url https://scindeks-clanci.ceon.rs/data/pdf/0353-9008/2010/0353-90081028039J.pdf
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