Le recours à l’amorce spectaculaire dans le processus de resensibilisation du spectateur : ouvertures vers le sacré

Although it plunges the viewer into a more or less familiar world, contemporary theatre at times employs a dramatic primer that, by just preceding the performance itself, plays a crucial role in the process of resensitization of the audience that is present at such an event. This process can be theo...

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Bibliographic Details
Main Authors: Hervé Guay, Sara Thibault
Format: Article
Language:English
Published: Università degli Studi di Milano 2017-06-01
Series:Itinera
Online Access:https://riviste.unimi.it/index.php/itinera/article/view/8736

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