Le recours à l’amorce spectaculaire dans le processus de resensibilisation du spectateur : ouvertures vers le sacré
Although it plunges the viewer into a more or less familiar world, contemporary theatre at times employs a dramatic primer that, by just preceding the performance itself, plays a crucial role in the process of resensitization of the audience that is present at such an event. This process can be theo...
Main Authors: | Hervé Guay, Sara Thibault |
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Format: | Article |
Language: | English |
Published: |
Università degli Studi di Milano
2017-06-01
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Series: | Itinera |
Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/8736 |
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