Le journal italien, pre-texte de l’oeuvre de l’artiste Ion Stendl

Surprising the connections and the disconnection rapids from certain cultural codes, the transversal selections, the encyclopedic compulsion and the fragmentary consumption of reality in the short form offered by our life, the contents of the diary, as well as the collages from the cycle “Italian Le...

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Bibliographic Details
Main Author: Magda Predescu
Format: Article
Language:English
Published: Publishing House of the Romanian Academy 2012-01-01
Series:Revue Roumaine d'Histoire de l'Art : Série Beaux-Arts
Subjects:
Online Access:http://www.istoria-artei.ro/resources/files/RRHA_2012_Magda-Predescu.pdf
Description
Summary:Surprising the connections and the disconnection rapids from certain cultural codes, the transversal selections, the encyclopedic compulsion and the fragmentary consumption of reality in the short form offered by our life, the contents of the diary, as well as the collages from the cycle “Italian Letters” give an account of the creation of an artist for whom museums, exhibitions, archives, fairs – these postmodern cabinets of wonders – became the condition of the possibility of art.
ISSN:0556-8080
2067-5127