Contemporary world and the crisis of spiritual values

The crisis of contemporary art is a paradigmatic example of the crisis of spiritual values in today's world. The main cause of this crisis, it is argued, lies in the spirit of modern sciences. These do not find their object as a ready given, but rather determine it themselves, from their own st...

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Main Author: Zurovac Mirko M.
Format: Article
Language:deu
Published: Institute for Philosophy and Social Theory, Belgrade 2003-01-01
Series:Filozofija i Društvo
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0353-5738/2003/0353-57380321107Z.pdf
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spelling doaj-cdf3a1e9fff84d39aec3f7b690eff86b2020-11-24T23:06:30ZdeuInstitute for Philosophy and Social Theory, BelgradeFilozofija i Društvo0353-57382003-01-0120032110711610.2298/FID0321107ZContemporary world and the crisis of spiritual valuesZurovac Mirko M.The crisis of contemporary art is a paradigmatic example of the crisis of spiritual values in today's world. The main cause of this crisis, it is argued, lies in the spirit of modern sciences. These do not find their object as a ready given, but rather determine it themselves, from their own standpoint, and thus basically produce it. Due to enormous technological development, modern civilization has turned the whole world into the Eleatic One. In materializing the uniform spirit of technology in our world the role of the new audio-visual media: cinema, radio, television, video and the internet, has been crucial. Technology has become a powerful instrument of modern power: it has enabled a concentration of power in the hands of technical, cultural and political administration, as well as automatically expanding mass production and consumption, and finally subordination of people to methodic education, control and manipulation. These are main features of the spirit of the contemporary technical civilization where technology is not understood as something technical but rather as a mode of existence, connected with science and industry. By changing the way in which human life is lived, and the way in which human community is ordered, the purpose and perception of the work of art has also changed. Beauty is not taken to be a result of subjective experience and something belonging to the object as such. The sphere of the aesthetic has become the ground for manifesting relativism and subjectivism in various forms. With the development of knowledge and human power, the contemporary world has begun to sink into nihilism, losing a sense for anything bearing the stamp of individuality. In such a world, everything, including the sphere of spiritual values, is reduced merely to what is useful and efficient. . http://www.doiserbia.nb.rs/img/doi/0353-5738/2003/0353-57380321107Z.pdfcrisiscontemporary artspiritual valuestechnologymass mediamanipulationuniform spiritcontrol
collection DOAJ
language deu
format Article
sources DOAJ
author Zurovac Mirko M.
spellingShingle Zurovac Mirko M.
Contemporary world and the crisis of spiritual values
Filozofija i Društvo
crisis
contemporary art
spiritual values
technology
mass media
manipulation
uniform spirit
control
author_facet Zurovac Mirko M.
author_sort Zurovac Mirko M.
title Contemporary world and the crisis of spiritual values
title_short Contemporary world and the crisis of spiritual values
title_full Contemporary world and the crisis of spiritual values
title_fullStr Contemporary world and the crisis of spiritual values
title_full_unstemmed Contemporary world and the crisis of spiritual values
title_sort contemporary world and the crisis of spiritual values
publisher Institute for Philosophy and Social Theory, Belgrade
series Filozofija i Društvo
issn 0353-5738
publishDate 2003-01-01
description The crisis of contemporary art is a paradigmatic example of the crisis of spiritual values in today's world. The main cause of this crisis, it is argued, lies in the spirit of modern sciences. These do not find their object as a ready given, but rather determine it themselves, from their own standpoint, and thus basically produce it. Due to enormous technological development, modern civilization has turned the whole world into the Eleatic One. In materializing the uniform spirit of technology in our world the role of the new audio-visual media: cinema, radio, television, video and the internet, has been crucial. Technology has become a powerful instrument of modern power: it has enabled a concentration of power in the hands of technical, cultural and political administration, as well as automatically expanding mass production and consumption, and finally subordination of people to methodic education, control and manipulation. These are main features of the spirit of the contemporary technical civilization where technology is not understood as something technical but rather as a mode of existence, connected with science and industry. By changing the way in which human life is lived, and the way in which human community is ordered, the purpose and perception of the work of art has also changed. Beauty is not taken to be a result of subjective experience and something belonging to the object as such. The sphere of the aesthetic has become the ground for manifesting relativism and subjectivism in various forms. With the development of knowledge and human power, the contemporary world has begun to sink into nihilism, losing a sense for anything bearing the stamp of individuality. In such a world, everything, including the sphere of spiritual values, is reduced merely to what is useful and efficient. .
topic crisis
contemporary art
spiritual values
technology
mass media
manipulation
uniform spirit
control
url http://www.doiserbia.nb.rs/img/doi/0353-5738/2003/0353-57380321107Z.pdf
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