John Berger: looking for a Brexit A teleology of the gaze

This paper reviews the articles by John Berger published in the book About looking. In this sense, this production is chronologically examined. In this way three production moments would be observed.  The first moment marked by the imprint of Cubism –in so much symbolic revolution– in modern culture...

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Main Author: Mauricio Espil
Format: Article
Language:Spanish
Published: Universidad Nacional de Mar del Plata 2017-03-01
Series:Estudios de Teoría Literaria
Subjects:
Online Access:http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2071
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spelling doaj-cde50abe3abc43849a8f54e2f2793ddb2020-11-24T21:10:39ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762017-03-016113333461699John Berger: looking for a Brexit A teleology of the gazeMauricio Espil0Universidad Nacional de Mar del PlataThis paper reviews the articles by John Berger published in the book About looking. In this sense, this production is chronologically examined. In this way three production moments would be observed.  The first moment marked by the imprint of Cubism –in so much symbolic revolution– in modern culture and the debates of British Marxism about the working class, culture in the mass media and the use of a suitable language in order to achieve The greatest possible number of accessions for democratic political action. A second moment of active participation in the social debate publishing in New Society and making the program of television emitted by the BBC. In these interventions he not only insists on the need for political action but also tries to explain the field in which this action takes place (an outline of Bourdieu's theories accompanies those arguments) and, above all, clearly exposes the role Of the spectator as a consequence of the revolution in the symbolic that led the Cubism. Finally, in a third moment, the theoretical scaffolding used to analyze the development of what we call culture annexes the concepts of aura and experience of W. Benjamin and hegemony of A. Gramsci. In this way he describes the end of an era, modernity, and the continuity of history in something unnamed that sees as a consequence of the pre-eminence of "high finance."http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2071BergerCulturaMarxismoCubismoModernidadPolítica
collection DOAJ
language Spanish
format Article
sources DOAJ
author Mauricio Espil
spellingShingle Mauricio Espil
John Berger: looking for a Brexit A teleology of the gaze
Estudios de Teoría Literaria
Berger
Cultura
Marxismo
Cubismo
Modernidad
Política
author_facet Mauricio Espil
author_sort Mauricio Espil
title John Berger: looking for a Brexit A teleology of the gaze
title_short John Berger: looking for a Brexit A teleology of the gaze
title_full John Berger: looking for a Brexit A teleology of the gaze
title_fullStr John Berger: looking for a Brexit A teleology of the gaze
title_full_unstemmed John Berger: looking for a Brexit A teleology of the gaze
title_sort john berger: looking for a brexit a teleology of the gaze
publisher Universidad Nacional de Mar del Plata
series Estudios de Teoría Literaria
issn 2313-9676
publishDate 2017-03-01
description This paper reviews the articles by John Berger published in the book About looking. In this sense, this production is chronologically examined. In this way three production moments would be observed.  The first moment marked by the imprint of Cubism –in so much symbolic revolution– in modern culture and the debates of British Marxism about the working class, culture in the mass media and the use of a suitable language in order to achieve The greatest possible number of accessions for democratic political action. A second moment of active participation in the social debate publishing in New Society and making the program of television emitted by the BBC. In these interventions he not only insists on the need for political action but also tries to explain the field in which this action takes place (an outline of Bourdieu's theories accompanies those arguments) and, above all, clearly exposes the role Of the spectator as a consequence of the revolution in the symbolic that led the Cubism. Finally, in a third moment, the theoretical scaffolding used to analyze the development of what we call culture annexes the concepts of aura and experience of W. Benjamin and hegemony of A. Gramsci. In this way he describes the end of an era, modernity, and the continuity of history in something unnamed that sees as a consequence of the pre-eminence of "high finance."
topic Berger
Cultura
Marxismo
Cubismo
Modernidad
Política
url http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/2071
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