Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti
Composer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. In The Consul (1950), the American context of the 1950s burst onto the operatic stage. The Mc Car...
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| Format: | Article |
| Language: | English |
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Maison de la Recherche en Sciences Humaines
2004-05-01
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| Series: | Revue LISA |
| Online Access: | http://journals.openedition.org/lisa/2971 |