“Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)

This paper aims to outline the common aspects of three late biographical writings by the minor avant-garde poet Ivan Aksenov (1884-1935). The texts are about artists, with whom the author was in close contact, i.e. the theatre actress Maria Babanova, the painter Petr Konchalovskii and the director S...

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Main Author: Alessandro Farsetti
Format: Article
Language:English
Published: Dipartimento di Studi Linguistici e Letterari - Università di Padova 2014-12-01
Series:Avtobiografija
Subjects:
Online Access:https://www.avtobiografija.com/index.php/avtobiografija/article/view/48
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spelling doaj-cd9debb018c44017a86192677840afb42020-12-07T07:22:12ZengDipartimento di Studi Linguistici e Letterari - Università di PadovaAvtobiografija2281-69922014-12-010328129410.25430/2281-6992/v3-281-294“Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)Alessandro FarsettiThis paper aims to outline the common aspects of three late biographical writings by the minor avant-garde poet Ivan Aksenov (1884-1935). The texts are about artists, with whom the author was in close contact, i.e. the theatre actress Maria Babanova, the painter Petr Konchalovskii and the director Sergei Eisenstein. Life is reported through fixed patterns, fictionalized events and devices that can be found in Aksenov’s prose, which depicted artists as literary heroes. In his meta-biographical assertions Aksenov stresses the active role of his artistic perception and experience other than looking for ‘objective’ facts, an approach that is polemically opposed to the so-called dokumental’naia proza of the official Soviet criticism. Aksenov’s writings also reflect the existential condition of a Silver Age writer facing the hardships of the 1930s in the Soviet Union. Finally, they contain some echoes of contemporary Western thought (Freud, Bergson), a topic which was prohibited at that time.https://www.avtobiografija.com/index.php/avtobiografija/article/view/48aksenovbiographical writingsfixed patternsfictionalized eventsartistic perception
collection DOAJ
language English
format Article
sources DOAJ
author Alessandro Farsetti
spellingShingle Alessandro Farsetti
“Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
Avtobiografija
aksenov
biographical writings
fixed patterns
fictionalized events
artistic perception
author_facet Alessandro Farsetti
author_sort Alessandro Farsetti
title “Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
title_short “Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
title_full “Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
title_fullStr “Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
title_full_unstemmed “Предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках Ивана Аксенова (1930­е гг.)
title_sort “предупреждаю, что буду пристрастен”: о некоторых литературных стратегиях и культурных аспектах в критико­биографических очерках ивана аксенова (1930­е гг.)
publisher Dipartimento di Studi Linguistici e Letterari - Università di Padova
series Avtobiografija
issn 2281-6992
publishDate 2014-12-01
description This paper aims to outline the common aspects of three late biographical writings by the minor avant-garde poet Ivan Aksenov (1884-1935). The texts are about artists, with whom the author was in close contact, i.e. the theatre actress Maria Babanova, the painter Petr Konchalovskii and the director Sergei Eisenstein. Life is reported through fixed patterns, fictionalized events and devices that can be found in Aksenov’s prose, which depicted artists as literary heroes. In his meta-biographical assertions Aksenov stresses the active role of his artistic perception and experience other than looking for ‘objective’ facts, an approach that is polemically opposed to the so-called dokumental’naia proza of the official Soviet criticism. Aksenov’s writings also reflect the existential condition of a Silver Age writer facing the hardships of the 1930s in the Soviet Union. Finally, they contain some echoes of contemporary Western thought (Freud, Bergson), a topic which was prohibited at that time.
topic aksenov
biographical writings
fixed patterns
fictionalized events
artistic perception
url https://www.avtobiografija.com/index.php/avtobiografija/article/view/48
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