The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain

Space, in The Unlimited Dream Company, is treated by a surrealist approach: modern-life’s empty and desolated places, the same that Ballard experimented in Shepperton—paradigm of nowhere—,are filled with a fabulous world. In the land of dehumanized urban spaces suddenly appear lush forests, where Bl...

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Main Author: Smeralda Cappello
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2014-11-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/1786
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spelling doaj-cd72304e21c1452da521e4420cebb8bc2020-11-24T21:39:39ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442014-11-014710.4000/ebc.1786The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporainSmeralda CappelloSpace, in The Unlimited Dream Company, is treated by a surrealist approach: modern-life’s empty and desolated places, the same that Ballard experimented in Shepperton—paradigm of nowhere—,are filled with a fabulous world. In the land of dehumanized urban spaces suddenly appear lush forests, where Blake, the protagonist, acts, crossing dream and reality, life and death, lucidity and hallucination. Imagination is a creative and destructive force that is central in the novel. It lets Blake—who is almost a superhuman entity—transform reality, by leaving the familiar and reassuring world of experience to join the exotic universe of dream and desire. Now, according to Ballard, dreams, desires, visionary states actually are the only way through which a transcendental absolute, unknown to mankind, expresses itself. Humankind is imprisoned in a temporal and material universe, killing imagination and making life a nightmare: the only way to survive is by taking part in the schizophrenic insanity of the contemporary world. The space that we experiment every day is a closed one. Wishing to free man from his oppressions, Ballard discredits the conventional world. Like surrealist theories, supposed to let the masks of reality fall down, this novel denounces the illusion of the material world and asserts that physical space is a simulacrum, behind which some surreality is hidden and needs to be interpreted. It is through imagination that the reality hidden behind the icons of society can be revealed. Space is so configured like an open and unlimited area, capable to adjust itself to the imaginative thinking of all people.http://journals.openedition.org/ebc/1786James Graham Ballardspaceimaginationsurrealismsimulacrumcatastrophe
collection DOAJ
language English
format Article
sources DOAJ
author Smeralda Cappello
spellingShingle Smeralda Cappello
The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
Études Britanniques Contemporaines
James Graham Ballard
space
imagination
surrealism
simulacrum
catastrophe
author_facet Smeralda Cappello
author_sort Smeralda Cappello
title The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
title_short The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
title_full The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
title_fullStr The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
title_full_unstemmed The Unlimited Dream Company de James Graham Ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
title_sort unlimited dream company de james graham ballard : un espace surréaliste pour dénoncer la catastrophe du contemporain
publisher Presses Universitaires de la Méditerranée
series Études Britanniques Contemporaines
issn 1168-4917
2271-5444
publishDate 2014-11-01
description Space, in The Unlimited Dream Company, is treated by a surrealist approach: modern-life’s empty and desolated places, the same that Ballard experimented in Shepperton—paradigm of nowhere—,are filled with a fabulous world. In the land of dehumanized urban spaces suddenly appear lush forests, where Blake, the protagonist, acts, crossing dream and reality, life and death, lucidity and hallucination. Imagination is a creative and destructive force that is central in the novel. It lets Blake—who is almost a superhuman entity—transform reality, by leaving the familiar and reassuring world of experience to join the exotic universe of dream and desire. Now, according to Ballard, dreams, desires, visionary states actually are the only way through which a transcendental absolute, unknown to mankind, expresses itself. Humankind is imprisoned in a temporal and material universe, killing imagination and making life a nightmare: the only way to survive is by taking part in the schizophrenic insanity of the contemporary world. The space that we experiment every day is a closed one. Wishing to free man from his oppressions, Ballard discredits the conventional world. Like surrealist theories, supposed to let the masks of reality fall down, this novel denounces the illusion of the material world and asserts that physical space is a simulacrum, behind which some surreality is hidden and needs to be interpreted. It is through imagination that the reality hidden behind the icons of society can be revealed. Space is so configured like an open and unlimited area, capable to adjust itself to the imaginative thinking of all people.
topic James Graham Ballard
space
imagination
surrealism
simulacrum
catastrophe
url http://journals.openedition.org/ebc/1786
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