Expanded Tonality in Quartal Space: Back to Debussy's Étude pour les Quartes
Considering the hypothesis that intervals of fourths work in Debussy's Étude pour les Quartes as an every-level structuring cell, this article proposes a harmonic analysis where all chords are drawn from a twelve-tone quartal space. The hypothesis is that Debussy tests the capacity of the quar...
Main Author: | Didier Guigue |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2013-05-01
|
Series: | Opus |
Subjects: | |
Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/147 |
Similar Items
-
Does quartal harmony affect the mood in computer games?
by: Johansson, Pontus
Published: (2018) -
Tonal and "Anti-Tonal" Cognitive Structure in Viennese Twelve-Tone Rows
by: Paul T. von Hippel, et al.
Published: (2020-10-01) -
George Perle’s Twelve–Tone Tonality: some developments for CAC using PWGL
by: Telmo Marques, et al.
Published: (2013-01-01) -
The Expectancy Dynamics of Anti-Tonal Twelve-Tone Rows: A Commentary and Reanalysis of von Hippel & Huron (2020)
by: Niels Chr. Hansen
Published: (2020-10-01) -
A Comparative Study of Selected Recordings of the Etudes of Claude Debussy
Published: (2018)