ORFEU’S TROLLEY: FULNESS ABOUT ONE ENGUIÇO
This paper to make a discussion about cinematographic representation from Rio de Janeiro’slums in Marcel Camus’Black Orpheus (1959), your adaptation the play Vinicius de Moraes’Orfeu da Conceição, published in 1954. Relating this representation to Roberto Schwarz’s “concept” intituled “enguiço”, u...
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| Format: | Article |
| Language: | English |
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Associação Nacional de Pós-Graduação e Pesquisa em Letras e Linguística
2013-12-01
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| Series: | Revista da Anpoll |
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| Online Access: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/656 |
| Summary: | This paper to make a discussion about cinematographic representation from Rio de Janeiro’slums in Marcel Camus’Black Orpheus (1959), your adaptation the play Vinicius de Moraes’Orfeu da Conceição, published in 1954. Relating this representation to Roberto Schwarz’s “concept” intituled “enguiço”, utilized into essay “O bonde, a carroça e o poeta modernista”. The choice of this particular “concept” shows a desire to review the first critics that remain fixed in external aspects to Marcel Camus’esthetic |
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| ISSN: | 1414-7564 1982-7830 |