Space-time compression and hyperlocalisation: the new flâneurs

The experience of sensations such as time acceleration and space elimination has become common in modern life, which is increasingly organised in tune with the “real time” imposed by digital media. Throughout this article and starting with the concept of “time compression” presented by David Harvey...

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Main Authors: Ivone Neiva Santos, José Azevedo
Format: Article
Language:English
Published: Centro de Estudos de Comunicação e Sociedade (CECS) 2019-06-01
Series:Comunicação e Sociedade
Subjects:
Online Access:https://revistacomsoc.pt/article/view/549
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spelling doaj-cc5dfcaa5dd2494ba411c59f359fbaf62020-11-25T03:19:41ZengCentro de Estudos de Comunicação e Sociedade (CECS)Comunicação e Sociedade1645-20892183-35752019-06-013525927710.17231/comsoc.35(2019).3142549Space-time compression and hyperlocalisation: the new flâneursIvone Neiva Santos0José Azevedo1Faculdade de Letras da Universidade do PortoFaculdade de Letras da Universidade do PortoThe experience of sensations such as time acceleration and space elimination has become common in modern life, which is increasingly organised in tune with the “real time” imposed by digital media. Throughout this article and starting with the concept of “time compression” presented by David Harvey (1999), the authors contrast technological determinism with other perspectives that suggest there is a dialogue-based relationship between technology and society. The text discusses notions such as deterritorialisation and detemporalisation that make it possible to understand the emergence of a fragmented and timeless data space, which corresponds to a “new geography”, in which it is no longer possible to establish a clear boundary between the physical and the digital world. The text is theoretically underpinned by the concept of the cyberflâneur, exploring the similarities with the 19th century flâneur described by Baudelaire (1996). Analysis of a set of artistic and experimental interventions addressing issues such as hyperlocalisation or ubiquity and pervasiveness enables us to use the character of the cyberflâneur in a twofold sense – as a sign of technical acceleration and also as a symbol of resistance to such acceleration. The authors conclude that the exponential evolution and increasing “naturalisation” of technology obligates us to consider its determining role in social dynamics, namely by transforming our relationship with the dimensions of space and time.https://revistacomsoc.pt/article/view/549Sentient cityspace-time compressionpower-chronographyaugmented spacecyberflâneur
collection DOAJ
language English
format Article
sources DOAJ
author Ivone Neiva Santos
José Azevedo
spellingShingle Ivone Neiva Santos
José Azevedo
Space-time compression and hyperlocalisation: the new flâneurs
Comunicação e Sociedade
Sentient city
space-time compression
power-chronography
augmented space
cyberflâneur
author_facet Ivone Neiva Santos
José Azevedo
author_sort Ivone Neiva Santos
title Space-time compression and hyperlocalisation: the new flâneurs
title_short Space-time compression and hyperlocalisation: the new flâneurs
title_full Space-time compression and hyperlocalisation: the new flâneurs
title_fullStr Space-time compression and hyperlocalisation: the new flâneurs
title_full_unstemmed Space-time compression and hyperlocalisation: the new flâneurs
title_sort space-time compression and hyperlocalisation: the new flâneurs
publisher Centro de Estudos de Comunicação e Sociedade (CECS)
series Comunicação e Sociedade
issn 1645-2089
2183-3575
publishDate 2019-06-01
description The experience of sensations such as time acceleration and space elimination has become common in modern life, which is increasingly organised in tune with the “real time” imposed by digital media. Throughout this article and starting with the concept of “time compression” presented by David Harvey (1999), the authors contrast technological determinism with other perspectives that suggest there is a dialogue-based relationship between technology and society. The text discusses notions such as deterritorialisation and detemporalisation that make it possible to understand the emergence of a fragmented and timeless data space, which corresponds to a “new geography”, in which it is no longer possible to establish a clear boundary between the physical and the digital world. The text is theoretically underpinned by the concept of the cyberflâneur, exploring the similarities with the 19th century flâneur described by Baudelaire (1996). Analysis of a set of artistic and experimental interventions addressing issues such as hyperlocalisation or ubiquity and pervasiveness enables us to use the character of the cyberflâneur in a twofold sense – as a sign of technical acceleration and also as a symbol of resistance to such acceleration. The authors conclude that the exponential evolution and increasing “naturalisation” of technology obligates us to consider its determining role in social dynamics, namely by transforming our relationship with the dimensions of space and time.
topic Sentient city
space-time compression
power-chronography
augmented space
cyberflâneur
url https://revistacomsoc.pt/article/view/549
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