Notes Toward a Critical Approach to Worlds and World-Building

Imaginary worlds and how they are constructed are central to fiction. The term world-building, however, has been applied so broadly in scholarship that it has become ambiguous and difficult to use in critical discussions. Aiming to contribute to greater clarity in the critical use of the term, this...

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Main Author: Stefan Ekman and Audrey Isabel Taylor
Format: Article
Language:English
Published: Finnish Society for Science Fiction and Fantasy Research 2016-09-01
Series:Fafnir
Subjects:
Online Access:http://journal.finfar.org/articles/notes-toward-a-critical-approach-to-worlds-and-world-building/
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spelling doaj-cc233aad2e7e44ec812a6f76834081512020-11-25T02:38:14ZengFinnish Society for Science Fiction and Fantasy ResearchFafnir2342-20092016-09-0133718Notes Toward a Critical Approach to Worlds and World-BuildingStefan Ekman and Audrey Isabel Taylor0 University of GothenburgImaginary worlds and how they are constructed are central to fiction. The term world-building, however, has been applied so broadly in scholarship that it has become ambiguous and difficult to use in critical discussions. Aiming to contribute to greater clarity in the critical use of the term, this article introduces the concept of critical world-building. This is distinguished from other types of world-building, such as that performed by an author or reader, mainly by the fact that a critic analyses a world through a combination of their sequential presentation, as complete world, and with critical interpretation and theoretical filters in place, applying all three perspectives simultaneously. Two possible approaches to critical world-building are presented, based on the functions of a world’s building-blocks and how to interpret those functions. The first approach focuses on a world’s “architecture” – its structural and aesthetic system of places – and the form, function, and meaning of those places. The second emphasises the dynamic interplay between building-blocks and their interconnections in a web of explicit, implied, and interpreted information about the world. The authors base their discussion on textual, secondary fantasy worlds but invite applications of critical world-building to other genres and media.http://journal.finfar.org/articles/notes-toward-a-critical-approach-to-worlds-and-world-building/imaginary worldsworld-buildingsecondary worldsfantasytopofocal analysis
collection DOAJ
language English
format Article
sources DOAJ
author Stefan Ekman and Audrey Isabel Taylor
spellingShingle Stefan Ekman and Audrey Isabel Taylor
Notes Toward a Critical Approach to Worlds and World-Building
Fafnir
imaginary worlds
world-building
secondary worlds
fantasy
topofocal analysis
author_facet Stefan Ekman and Audrey Isabel Taylor
author_sort Stefan Ekman and Audrey Isabel Taylor
title Notes Toward a Critical Approach to Worlds and World-Building
title_short Notes Toward a Critical Approach to Worlds and World-Building
title_full Notes Toward a Critical Approach to Worlds and World-Building
title_fullStr Notes Toward a Critical Approach to Worlds and World-Building
title_full_unstemmed Notes Toward a Critical Approach to Worlds and World-Building
title_sort notes toward a critical approach to worlds and world-building
publisher Finnish Society for Science Fiction and Fantasy Research
series Fafnir
issn 2342-2009
publishDate 2016-09-01
description Imaginary worlds and how they are constructed are central to fiction. The term world-building, however, has been applied so broadly in scholarship that it has become ambiguous and difficult to use in critical discussions. Aiming to contribute to greater clarity in the critical use of the term, this article introduces the concept of critical world-building. This is distinguished from other types of world-building, such as that performed by an author or reader, mainly by the fact that a critic analyses a world through a combination of their sequential presentation, as complete world, and with critical interpretation and theoretical filters in place, applying all three perspectives simultaneously. Two possible approaches to critical world-building are presented, based on the functions of a world’s building-blocks and how to interpret those functions. The first approach focuses on a world’s “architecture” – its structural and aesthetic system of places – and the form, function, and meaning of those places. The second emphasises the dynamic interplay between building-blocks and their interconnections in a web of explicit, implied, and interpreted information about the world. The authors base their discussion on textual, secondary fantasy worlds but invite applications of critical world-building to other genres and media.
topic imaginary worlds
world-building
secondary worlds
fantasy
topofocal analysis
url http://journal.finfar.org/articles/notes-toward-a-critical-approach-to-worlds-and-world-building/
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