Hybridité et voix auctoriale
This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three text...
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Wydawnictwo Werset
2016-12-01
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| Series: | Quêtes Littéraires |
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| Online Access: | http://czasopisma.kul.pl/ql/article/view/227 |
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Article |
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doaj-cbe819c4e01749df9c2f34d8fb115c752020-11-25T01:33:15ZfraWydawnictwo WersetQuêtes Littéraires2084-80992016-12-01610.31743/ql.227Hybridité et voix auctorialeMartine Motard-Noar0McDaniel College This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three texts attempt to catch the Mother in their narrative subterfuges in order to bring her back to life (or in the case of Cixous, to keep her alive), in vain. In the process, the authorial voice is reinforced as the voice leading the reader through narrative transgressions. http://czasopisma.kul.pl/ql/article/view/227hybrid textauthorial voicethe Motherdeathdisnarration |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Martine Motard-Noar |
| spellingShingle |
Martine Motard-Noar Hybridité et voix auctoriale Quêtes Littéraires hybrid text authorial voice the Mother death disnarration |
| author_facet |
Martine Motard-Noar |
| author_sort |
Martine Motard-Noar |
| title |
Hybridité et voix auctoriale |
| title_short |
Hybridité et voix auctoriale |
| title_full |
Hybridité et voix auctoriale |
| title_fullStr |
Hybridité et voix auctoriale |
| title_full_unstemmed |
Hybridité et voix auctoriale |
| title_sort |
hybridité et voix auctoriale |
| publisher |
Wydawnictwo Werset |
| series |
Quêtes Littéraires |
| issn |
2084-8099 |
| publishDate |
2016-12-01 |
| description |
This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three texts attempt to catch the Mother in their narrative subterfuges in order to bring her back to life (or in the case of Cixous, to keep her alive), in vain. In the process, the authorial voice is reinforced as the voice leading the reader through narrative transgressions.
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| topic |
hybrid text authorial voice the Mother death disnarration |
| url |
http://czasopisma.kul.pl/ql/article/view/227 |
| work_keys_str_mv |
AT martinemotardnoar hybriditeetvoixauctoriale |
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