A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES

Gök Medrese (Blue Madrasa) which is named after its turquoise colored tiles has been dated at different years by the researchers because its construction inscription has not reached today. Even though researchers has not reached at a consensus about the structure’s construction date, they agree that...

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Main Author: Fazilet KOÇYİĞİT
Format: Article
Language:deu
Published: Institut für die Welt der Türken 2015-08-01
Series:Zeitschrift für die Welt der Türken
Subjects:
Online Access:http://www.dieweltdertuerken.org/index.php/ZfWT/article/view/691/691
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spelling doaj-cb4d64322457494c975b856f74c0992b2020-11-25T01:58:45ZdeuInstitut für die Welt der TürkenZeitschrift für die Welt der Türken1868-89341868-89342015-08-0172243260A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES Fazilet KOÇYİĞİT0Assistant ProfessorGök Medrese (Blue Madrasa) which is named after its turquoise colored tiles has been dated at different years by the researchers because its construction inscription has not reached today. Even though researchers has not reached at a consensus about the structure’s construction date, they agree that the structure was commissioned by Pervane Muiniddun Suleyman. Gök Medrese, whose adornments have undergone serious degradations and most of the tiles has fallen and couldn’t reach the present day, is now used as a museum. Besides the tile examples in the building, stone embellishment examples which include carving, inlaying, colored stone flemished cross were used as adornment techniques. The structure’s embellishment components can be found on the portal, main iwan’s interior part, court riwaq arches’ surface, and arch corners. These components are three types: geometric, vegetal ornament and calligraphy. The structure has a rich embellishment program and its embellishment and stylistic features are contributory factors for dating the structure. In this article, it was tried to make an reassessment of the building’s construction with a new viewpoint reagarding particularly its stylistic characteristics. http://www.dieweltdertuerken.org/index.php/ZfWT/article/view/691/691TokatGök Medrese (Blue Madrasa)AdornmentStyleThe Art of Anatolia in Mediaeval Age
collection DOAJ
language deu
format Article
sources DOAJ
author Fazilet KOÇYİĞİT
spellingShingle Fazilet KOÇYİĞİT
A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
Zeitschrift für die Welt der Türken
Tokat
Gök Medrese (Blue Madrasa)
Adornment
Style
The Art of Anatolia in Mediaeval Age
author_facet Fazilet KOÇYİĞİT
author_sort Fazilet KOÇYİĞİT
title A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
title_short A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
title_full A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
title_fullStr A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
title_full_unstemmed A NEW POINT OF VIEW TOWARD TOKAT GÖK MEDRESE WITH REGARD TO ITS STYLISTIC FEATURES
title_sort new point of view toward tokat gök medrese with regard to its stylistic features
publisher Institut für die Welt der Türken
series Zeitschrift für die Welt der Türken
issn 1868-8934
1868-8934
publishDate 2015-08-01
description Gök Medrese (Blue Madrasa) which is named after its turquoise colored tiles has been dated at different years by the researchers because its construction inscription has not reached today. Even though researchers has not reached at a consensus about the structure’s construction date, they agree that the structure was commissioned by Pervane Muiniddun Suleyman. Gök Medrese, whose adornments have undergone serious degradations and most of the tiles has fallen and couldn’t reach the present day, is now used as a museum. Besides the tile examples in the building, stone embellishment examples which include carving, inlaying, colored stone flemished cross were used as adornment techniques. The structure’s embellishment components can be found on the portal, main iwan’s interior part, court riwaq arches’ surface, and arch corners. These components are three types: geometric, vegetal ornament and calligraphy. The structure has a rich embellishment program and its embellishment and stylistic features are contributory factors for dating the structure. In this article, it was tried to make an reassessment of the building’s construction with a new viewpoint reagarding particularly its stylistic characteristics.
topic Tokat
Gök Medrese (Blue Madrasa)
Adornment
Style
The Art of Anatolia in Mediaeval Age
url http://www.dieweltdertuerken.org/index.php/ZfWT/article/view/691/691
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