THE INFLUENCE OF CONSTRUCTIVISM ON THE DEVELOPMENT OF DESIGN IN UKRAINE
The purpose of the article is to comprehend the socio-cultural and ideological prerequisites for the formation of constructivism of the utilitarian period, to highlight the influence of theoretical concepts on the formation of a new project culture in Ukraine. The basis of the research methodology i...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Kyiv National University of Culture and Arts
2020-07-01
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| Series: | Вісник КНУКіМ: Серія Мистецтвознавство |
| Subjects: | |
| Online Access: | http://arts-series-knukim.pp.ua/article/view/207660 |
| Summary: | The purpose of the article is to comprehend the socio-cultural and ideological prerequisites for the formation of
constructivism of the utilitarian period, to highlight the influence of theoretical concepts on the formation of a new project
culture in Ukraine. The basis of the research methodology is a system and historical approach to the study of the subject
of research within the context of those phenomena and processes that had the greatest impact on its development. A set of
traditional research methods and approaches (induction, historicism, synthesis, complex interdisciplinary and systematic
approaches) is used, which gives the opportunity to reveal the ambiguous picture of the existence of a composite object
with a greater degree of completeness and reliability. The scientific novelty of the article consists in determining the place
and the role of Constructivism art of the utilitarian period, its theoretical concepts in the reorientation of the artistic formcreating
processes from external stylization to construction techniques. To reveal the topic, the attention is focused on the
study of artistic processes in the 1920s and early 1930s in Ukraine during the formation of the main form-creating trends,
which in the course of artistic experiments with a form went out into real space. The article emphasizes the uniqueness of
artistic experiments (a kind of protodesign), which became the foundation for the official Soviet art of the 1920s and early
1930s, and are marked by certain features and have no analogues in European art. Conclusions. In the art of Constructivism
of the mentioned period, objectivity has become a universal principle (tool) for the modelling of a new reality – both at
the artistic and aesthetic level, and at the pragmatic one, focused on the reconstruction of the utilitarian environment. The
concepts of industrial art, born by the revolutionary era, have laid the foundation – both ideologically, theoretically, and
in artistic and practical terms – for the future development of design, and have largely determined the future processes of
art development. |
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| ISSN: | 2410-1176 2616-4183 |