Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Ma...
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doaj-cac3501139b54d70bb07f23e7d1e7b9b2021-09-02T09:30:47ZengLodz University PressInternational Studies: Interdisciplinary Political and Cultural Journal2300-86952014-09-01161213310.2478/ipcj-2014-00026562Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane SatrapiEszter Szép0School of English and American Studies, Eötvös Loránd UniversityBy applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war.https://czasopisma.uni.lodz.pl/international/article/view/6562gendered violencegraphic narrativeidentitytrauma |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Eszter Szép |
spellingShingle |
Eszter Szép Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi International Studies: Interdisciplinary Political and Cultural Journal gendered violence graphic narrative identity trauma |
author_facet |
Eszter Szép |
author_sort |
Eszter Szép |
title |
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi |
title_short |
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi |
title_full |
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi |
title_fullStr |
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi |
title_full_unstemmed |
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi |
title_sort |
graphic narratives of women in war: identity construction in the works of zeina abirached, miriam katin, and marjane satrapi |
publisher |
Lodz University Press |
series |
International Studies: Interdisciplinary Political and Cultural Journal |
issn |
2300-8695 |
publishDate |
2014-09-01 |
description |
By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war. |
topic |
gendered violence graphic narrative identity trauma |
url |
https://czasopisma.uni.lodz.pl/international/article/view/6562 |
work_keys_str_mv |
AT eszterszep graphicnarrativesofwomeninwaridentityconstructionintheworksofzeinaabirachedmiriamkatinandmarjanesatrapi |
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