Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi

By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Ma...

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Main Author: Eszter Szép
Format: Article
Language:English
Published: Lodz University Press 2014-09-01
Series:International Studies: Interdisciplinary Political and Cultural Journal
Subjects:
Online Access:https://czasopisma.uni.lodz.pl/international/article/view/6562
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spelling doaj-cac3501139b54d70bb07f23e7d1e7b9b2021-09-02T09:30:47ZengLodz University PressInternational Studies: Interdisciplinary Political and Cultural Journal2300-86952014-09-01161213310.2478/ipcj-2014-00026562Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane SatrapiEszter Szép0School of English and American Studies, Eötvös Loránd UniversityBy applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war.https://czasopisma.uni.lodz.pl/international/article/view/6562gendered violencegraphic narrativeidentitytrauma
collection DOAJ
language English
format Article
sources DOAJ
author Eszter Szép
spellingShingle Eszter Szép
Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
International Studies: Interdisciplinary Political and Cultural Journal
gendered violence
graphic narrative
identity
trauma
author_facet Eszter Szép
author_sort Eszter Szép
title Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
title_short Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
title_full Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
title_fullStr Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
title_full_unstemmed Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi
title_sort graphic narratives of women in war: identity construction in the works of zeina abirached, miriam katin, and marjane satrapi
publisher Lodz University Press
series International Studies: Interdisciplinary Political and Cultural Journal
issn 2300-8695
publishDate 2014-09-01
description By applying terminology from trauma theory and a methodological approach from comics scholarship, this essay discusses three graphic autobiographies of women. These are A Game for Swallows by Zeina Abirached (trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the centre of the investigation: the strategies by which these works engage in the much-debated issues of representing gendered violence, and the representation of the ways traumatized daughters and their mothers deal with the identity crises caused by war.
topic gendered violence
graphic narrative
identity
trauma
url https://czasopisma.uni.lodz.pl/international/article/view/6562
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