Active imaginative listening—a neuromusical critique
The parallel study of music in science and creative practice can be traced back to the ancients; and paralleling the emergence of music neuroscience, creative musical practitioners have employed neurobiological phenomena extensively in music composition and performance. Several examples from the aut...
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| Format: | Article |
| Language: | English |
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Frontiers Media S.A.
2014-08-01
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| Series: | Frontiers in Neuroscience |
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| Online Access: | http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00251/full |
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doaj-ca8626efe2d44d1290bf388ab8224cd12020-11-24T20:48:20ZengFrontiers Media S.A.Frontiers in Neuroscience1662-453X2014-08-01810.3389/fnins.2014.0025170078Active imaginative listening—a neuromusical critiqueDavid eRosenboom0California Institute of the ArtsThe parallel study of music in science and creative practice can be traced back to the ancients; and paralleling the emergence of music neuroscience, creative musical practitioners have employed neurobiological phenomena extensively in music composition and performance. Several examples from the author’s work in this area, which began in the 1960s, are cited and briefly described. From this perspective, the author also explores questions pertinent to current agendas evident in music neuroscience and speculates on potentially potent future directions.http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00251/fullBiofeedback, PsychologyMusic neurosciencemusic performancepropositional musicself-organizing musical formsneuromusic |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
David eRosenboom |
| spellingShingle |
David eRosenboom Active imaginative listening—a neuromusical critique Frontiers in Neuroscience Biofeedback, Psychology Music neuroscience music performance propositional music self-organizing musical forms neuromusic |
| author_facet |
David eRosenboom |
| author_sort |
David eRosenboom |
| title |
Active imaginative listening—a neuromusical critique |
| title_short |
Active imaginative listening—a neuromusical critique |
| title_full |
Active imaginative listening—a neuromusical critique |
| title_fullStr |
Active imaginative listening—a neuromusical critique |
| title_full_unstemmed |
Active imaginative listening—a neuromusical critique |
| title_sort |
active imaginative listening—a neuromusical critique |
| publisher |
Frontiers Media S.A. |
| series |
Frontiers in Neuroscience |
| issn |
1662-453X |
| publishDate |
2014-08-01 |
| description |
The parallel study of music in science and creative practice can be traced back to the ancients; and paralleling the emergence of music neuroscience, creative musical practitioners have employed neurobiological phenomena extensively in music composition and performance. Several examples from the author’s work in this area, which began in the 1960s, are cited and briefly described. From this perspective, the author also explores questions pertinent to current agendas evident in music neuroscience and speculates on potentially potent future directions. |
| topic |
Biofeedback, Psychology Music neuroscience music performance propositional music self-organizing musical forms neuromusic |
| url |
http://journal.frontiersin.org/Journal/10.3389/fnins.2014.00251/full |
| work_keys_str_mv |
AT daviderosenboom activeimaginativelisteninganeuromusicalcritique |
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