Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner

The aim of this article is to establish the critical significance and value of work which was the product of the unique creative partnership developed by Valentine Ackland and Sylvia Townsend Warner during the 1930s. During that period, I argue, they imagined more variously and more incisively toget...

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Main Author: David Trotter
Format: Article
Language:English
Published: UCL Press 2020-10-01
Series:The Journal of the Sylvia Townsend Warner Society
Online Access:https://ucl.scienceopen.com/hosted-document?doi=10.14324/111.444.stw.2020.21
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spelling doaj-ca72bf73985e4107b40dd2453303a7622021-04-02T16:22:37ZengUCL PressThe Journal of the Sylvia Townsend Warner Society2398-06052020-10-0110.14324/111.444.stw.2020.21Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend WarnerDavid TrotterThe aim of this article is to establish the critical significance and value of work which was the product of the unique creative partnership developed by Valentine Ackland and Sylvia Townsend Warner during the 1930s. During that period, I argue, they imagined more variously and more incisively together, through mutual awareness and acceptance, than they would in all likelihood have done had they never met and fallen in love. An understanding of the sharp differences in temperament, outlook and reputation which precluded full-scale collaboration freed each of them, in turn, to pursue contrasting aspects of concerns held in common. So adventurous was that pursuit, at times, that it merits comparison with recent investigations of the idea of the ‘posthuman’. Since Warner was by far the more prolific author, I have tried to balance my account of her partnership with Ackland by drawing extensively not only on published fiction and poetry, but also on diaries and letters, and on a variety of other kinds of material from the archive.https://ucl.scienceopen.com/hosted-document?doi=10.14324/111.444.stw.2020.21
collection DOAJ
language English
format Article
sources DOAJ
author David Trotter
spellingShingle David Trotter
Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
The Journal of the Sylvia Townsend Warner Society
author_facet David Trotter
author_sort David Trotter
title Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
title_short Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
title_full Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
title_fullStr Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
title_full_unstemmed Posthuman? Animal Corpses, Aeroplanes and Very High Frequencies in the Work of Valentine Ackland and Sylvia Townsend Warner
title_sort posthuman? animal corpses, aeroplanes and very high frequencies in the work of valentine ackland and sylvia townsend warner
publisher UCL Press
series The Journal of the Sylvia Townsend Warner Society
issn 2398-0605
publishDate 2020-10-01
description The aim of this article is to establish the critical significance and value of work which was the product of the unique creative partnership developed by Valentine Ackland and Sylvia Townsend Warner during the 1930s. During that period, I argue, they imagined more variously and more incisively together, through mutual awareness and acceptance, than they would in all likelihood have done had they never met and fallen in love. An understanding of the sharp differences in temperament, outlook and reputation which precluded full-scale collaboration freed each of them, in turn, to pursue contrasting aspects of concerns held in common. So adventurous was that pursuit, at times, that it merits comparison with recent investigations of the idea of the ‘posthuman’. Since Warner was by far the more prolific author, I have tried to balance my account of her partnership with Ackland by drawing extensively not only on published fiction and poetry, but also on diaries and letters, and on a variety of other kinds of material from the archive.
url https://ucl.scienceopen.com/hosted-document?doi=10.14324/111.444.stw.2020.21
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