Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic

Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a gia...

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Main Author: Sabine LeBel
Format: Article
Language:English
Published: New York City College of Technology 2015-06-01
Series:NANO
Subjects:
art
Online Access:https://nanocrit.com/issues/issue7/notes-cool-temporal-politics-friendly-monsters-and-e-waste-aesthetic
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spelling doaj-c95edeb694284d978a119d2d32268ad82020-11-25T00:43:19ZengNew York City College of TechnologyNANO2160-01042015-06-017Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste AestheticSabine LeBel0University of TorontoNotes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a giant sculpture in the United Kingdom made entirely from e-waste. In WALL-E, e-waste is an important part of the devastated wastescapes of abandoned future earth. Both WEEE Man and WALL-E represent garbage and e-waste in terms of scale.https://nanocrit.com/issues/issue7/notes-cool-temporal-politics-friendly-monsters-and-e-waste-aesthetictimeaestheticse-wastemonsterscoolwastegarbagedesignenvironmental planningart
collection DOAJ
language English
format Article
sources DOAJ
author Sabine LeBel
spellingShingle Sabine LeBel
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
NANO
time
aesthetics
e-waste
monsters
cool
waste
garbage
design
environmental planning
art
author_facet Sabine LeBel
author_sort Sabine LeBel
title Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
title_short Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
title_full Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
title_fullStr Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
title_full_unstemmed Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
title_sort notes on cool: the temporal politics of friendly monsters and the e-waste aesthetic
publisher New York City College of Technology
series NANO
issn 2160-0104
publishDate 2015-06-01
description Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a giant sculpture in the United Kingdom made entirely from e-waste. In WALL-E, e-waste is an important part of the devastated wastescapes of abandoned future earth. Both WEEE Man and WALL-E represent garbage and e-waste in terms of scale.
topic time
aesthetics
e-waste
monsters
cool
waste
garbage
design
environmental planning
art
url https://nanocrit.com/issues/issue7/notes-cool-temporal-politics-friendly-monsters-and-e-waste-aesthetic
work_keys_str_mv AT sabinelebel notesoncoolthetemporalpoliticsoffriendlymonstersandtheewasteaesthetic
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