Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a gia...
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New York City College of Technology
2015-06-01
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doaj-c95edeb694284d978a119d2d32268ad82020-11-25T00:43:19ZengNew York City College of TechnologyNANO2160-01042015-06-017Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste AestheticSabine LeBel0University of TorontoNotes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a giant sculpture in the United Kingdom made entirely from e-waste. In WALL-E, e-waste is an important part of the devastated wastescapes of abandoned future earth. Both WEEE Man and WALL-E represent garbage and e-waste in terms of scale.https://nanocrit.com/issues/issue7/notes-cool-temporal-politics-friendly-monsters-and-e-waste-aesthetictimeaestheticse-wastemonsterscoolwastegarbagedesignenvironmental planningart |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sabine LeBel |
spellingShingle |
Sabine LeBel Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic NANO time aesthetics e-waste monsters cool waste garbage design environmental planning art |
author_facet |
Sabine LeBel |
author_sort |
Sabine LeBel |
title |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic |
title_short |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic |
title_full |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic |
title_fullStr |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic |
title_full_unstemmed |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic |
title_sort |
notes on cool: the temporal politics of friendly monsters and the e-waste aesthetic |
publisher |
New York City College of Technology |
series |
NANO |
issn |
2160-0104 |
publishDate |
2015-06-01 |
description |
Notes on Cool: The Temporal Politics of Friendly Monsters and the E-waste Aesthetic by Sabine LeBel- nanocrit.com. Two compelling examples of e-waste, with the aim to educate and inform, albeit using different visual tactics than Burtynsky or Hugo, are WEEE Man and the film WALL-E. WEEE Man is a giant sculpture in the United Kingdom made entirely from e-waste. In WALL-E, e-waste is an important part of the devastated wastescapes of abandoned future earth. Both WEEE Man and WALL-E represent garbage and e-waste in terms of scale. |
topic |
time aesthetics e-waste monsters cool waste garbage design environmental planning art |
url |
https://nanocrit.com/issues/issue7/notes-cool-temporal-politics-friendly-monsters-and-e-waste-aesthetic |
work_keys_str_mv |
AT sabinelebel notesoncoolthetemporalpoliticsoffriendlymonstersandtheewasteaesthetic |
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