Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality

It is impossible to conceive of archaeology –the discipline that tells us of the societies of our history by studying their material remains– without the drawing. There is no area of archaeology –from fieldwork to technical and administrative reports and publications– in which the drawing does not p...

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Main Authors: Josep M Puche, Josep M Macias, Pau Solà-Morales, Josep M Toldrà
Format: Article
Language:Spanish
Published: Universitat Politècnica de València 2015-06-01
Series:EGA
Subjects:
Online Access:https://polipapers.upv.es/index.php/EGA/article/view/3673
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spelling doaj-c9299b84ccf34a368f8df56d6c8841f82020-11-25T03:40:07ZspaUniversitat Politècnica de ValènciaEGA 1133-61372254-61032015-06-01202515816710.4995/ega.2015.36733012Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptualityJosep M Puche0Josep M Macias1Pau Solà-MoralesJosep M ToldràInstitut Català d'Arqueologia Clàssica-ICACInstitut Català d'Arqueologia Clàssica-ICACIt is impossible to conceive of archaeology –the discipline that tells us of the societies of our history by studying their material remains– without the drawing. There is no area of archaeology –from fieldwork to technical and administrative reports and publications– in which the drawing does not play an active role. Based on two drawings of the Tower of the Scipios in Tarragona that are separated in time and concept, one by Mouliner and the other from the DAI, we reflect on the suitability of the archaeological drawing, its purpose and its functionality.https://polipapers.upv.es/index.php/EGA/article/view/3673arqueologíadibujopatrimonio
collection DOAJ
language Spanish
format Article
sources DOAJ
author Josep M Puche
Josep M Macias
Pau Solà-Morales
Josep M Toldrà
spellingShingle Josep M Puche
Josep M Macias
Pau Solà-Morales
Josep M Toldrà
Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
EGA
arqueología
dibujo
patrimonio
author_facet Josep M Puche
Josep M Macias
Pau Solà-Morales
Josep M Toldrà
author_sort Josep M Puche
title Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
title_short Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
title_full Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
title_fullStr Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
title_full_unstemmed Reflections on two drawings of Scipios’ tower in Tarragona. The paradox of archaeological drawing conceptuality
title_sort reflections on two drawings of scipios’ tower in tarragona. the paradox of archaeological drawing conceptuality
publisher Universitat Politècnica de València
series EGA
issn 1133-6137
2254-6103
publishDate 2015-06-01
description It is impossible to conceive of archaeology –the discipline that tells us of the societies of our history by studying their material remains– without the drawing. There is no area of archaeology –from fieldwork to technical and administrative reports and publications– in which the drawing does not play an active role. Based on two drawings of the Tower of the Scipios in Tarragona that are separated in time and concept, one by Mouliner and the other from the DAI, we reflect on the suitability of the archaeological drawing, its purpose and its functionality.
topic arqueología
dibujo
patrimonio
url https://polipapers.upv.es/index.php/EGA/article/view/3673
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AT pausolamorales reflectionsontwodrawingsofscipiostowerintarragonatheparadoxofarchaeologicaldrawingconceptuality
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