La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?

The chjam’è rispondi is a particular performance, based on improvisation and characterised by a dialogic style, which is sung by two or more performers. After a sharp decline since the 1950s, the chjam’è rispondi has acquired a renewed interest during the last two decades. In particular, a group of...

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Main Author: Giovanni Ragni
Format: Article
Language:English
Published: University of Bologna 2018-03-01
Series:Antropologia e Teatro
Online Access:https://antropologiaeteatro.unibo.it/article/view/7949
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spelling doaj-c8fb2dd3679f4dcb908d2f2c9d1f7bb22020-11-25T01:18:32ZengUniversity of BolognaAntropologia e Teatro2039-22812018-03-019910.6092/issn.2039-2281/79497043La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?Giovanni RagniThe chjam’è rispondi is a particular performance, based on improvisation and characterised by a dialogic style, which is sung by two or more performers. After a sharp decline since the 1950s, the chjam’è rispondi has acquired a renewed interest during the last two decades. In particular, a group of young performers has been distinguishing itself for having approached this practice in a completely unconventional manner. This turn has provoked considerable repercussions on chjam’è rispondi, one of which was to give it a new course. An informal manner of singing or situated along institutionalised performing events? Technical learning or “natural gift”? What is the role played by the Corsican language? These are some of the practical and theoretical crucial points with which the performers have to confront themselves. On these issues, conflicting interpretations have emerged, leading the performers to dynamically situate themselves into the contemporary Corsican society.https://antropologiaeteatro.unibo.it/article/view/7949
collection DOAJ
language English
format Article
sources DOAJ
author Giovanni Ragni
spellingShingle Giovanni Ragni
La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
Antropologia e Teatro
author_facet Giovanni Ragni
author_sort Giovanni Ragni
title La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
title_short La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
title_full La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
title_fullStr La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
title_full_unstemmed La nuova generazione di improvvisatori di chjam’è rispondi in Corsica. Rottura o continuità?
title_sort la nuova generazione di improvvisatori di chjam’è rispondi in corsica. rottura o continuità?
publisher University of Bologna
series Antropologia e Teatro
issn 2039-2281
publishDate 2018-03-01
description The chjam’è rispondi is a particular performance, based on improvisation and characterised by a dialogic style, which is sung by two or more performers. After a sharp decline since the 1950s, the chjam’è rispondi has acquired a renewed interest during the last two decades. In particular, a group of young performers has been distinguishing itself for having approached this practice in a completely unconventional manner. This turn has provoked considerable repercussions on chjam’è rispondi, one of which was to give it a new course. An informal manner of singing or situated along institutionalised performing events? Technical learning or “natural gift”? What is the role played by the Corsican language? These are some of the practical and theoretical crucial points with which the performers have to confront themselves. On these issues, conflicting interpretations have emerged, leading the performers to dynamically situate themselves into the contemporary Corsican society.
url https://antropologiaeteatro.unibo.it/article/view/7949
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