Topographie und Topologie in Edith Kneifls Kriminalromanen

Edith Kneifl’s thrillers follow a double geographical dimension, since Italy and Austria form the narrative setting of her criminal minds. Women who recall Lucrezia Borgia and men under the impulse of uncontrolled violent emotions move from town to town showing that the criminal setting is not just...

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Main Author: Ester Saletta
Format: Article
Language:deu
Published: Università degli Studi di Milano 2011-10-01
Series:Studia theodisca
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spelling doaj-c8f7f4e7eb3348a082f0b084c4db4e392020-11-25T03:19:02ZdeuUniversità degli Studi di MilanoStudia theodisca1593-24782385-29172011-10-0118016118010.13130/1593-2478/13691281Topographie und Topologie in Edith Kneifls KriminalromanenEster Saletta0Università degli Studi di Bergamo, ItalyEdith Kneifl’s thrillers follow a double geographical dimension, since Italy and Austria form the narrative setting of her criminal minds. Women who recall Lucrezia Borgia and men under the impulse of uncontrolled violent emotions move from town to town showing that the criminal setting is not just a plain narrative landscape but rather more of a topographic and topologic stage on which the human identity can let its unconscious­ness be free to self-determination.
collection DOAJ
language deu
format Article
sources DOAJ
author Ester Saletta
spellingShingle Ester Saletta
Topographie und Topologie in Edith Kneifls Kriminalromanen
Studia theodisca
author_facet Ester Saletta
author_sort Ester Saletta
title Topographie und Topologie in Edith Kneifls Kriminalromanen
title_short Topographie und Topologie in Edith Kneifls Kriminalromanen
title_full Topographie und Topologie in Edith Kneifls Kriminalromanen
title_fullStr Topographie und Topologie in Edith Kneifls Kriminalromanen
title_full_unstemmed Topographie und Topologie in Edith Kneifls Kriminalromanen
title_sort topographie und topologie in edith kneifls kriminalromanen
publisher Università degli Studi di Milano
series Studia theodisca
issn 1593-2478
2385-2917
publishDate 2011-10-01
description Edith Kneifl’s thrillers follow a double geographical dimension, since Italy and Austria form the narrative setting of her criminal minds. Women who recall Lucrezia Borgia and men under the impulse of uncontrolled violent emotions move from town to town showing that the criminal setting is not just a plain narrative landscape but rather more of a topographic and topologic stage on which the human identity can let its unconscious­ness be free to self-determination.
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