The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators

How does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary...

Full description

Bibliographic Details
Main Authors: Angèle Christin, Rebecca Lewis
Format: Article
Language:English
Published: SAGE Publishing 2021-03-01
Series:Social Media + Society
Online Access:https://doi.org/10.1177/2056305121999660
id doaj-c8901270285343a893a17e76e078b00b
record_format Article
spelling doaj-c8901270285343a893a17e76e078b00b2021-03-16T22:03:20ZengSAGE PublishingSocial Media + Society2056-30512021-03-01710.1177/2056305121999660The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama CreatorsAngèle ChristinRebecca LewisHow does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary, they often rely on metrics as indicators of influence and celebrity on YouTube, thus constituting a relevant site to examine the connection between social media metrics and status. Based on interviews with English-speaking drama creators, we report three main findings. First, creators have a double orientation toward YouTube, which they understand as a site of both economic opportunities and tight-knit relationships. Second, the meanings that creators attach to metrics—their own and the ones of top YouTubers—reflect this double orientation: for them, metrics correlate with economic revenue and social status. Due to this central and multifaceted role of metrics, we find that traffic numbers can turn into a spectacle of their own for drama creators. Third, even in a context in which metrics are central, we identify several distancing strategies on the part of creators. We conclude by discussing whether—and why—resistance to metrics can be found everywhere.https://doi.org/10.1177/2056305121999660
collection DOAJ
language English
format Article
sources DOAJ
author Angèle Christin
Rebecca Lewis
spellingShingle Angèle Christin
Rebecca Lewis
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
Social Media + Society
author_facet Angèle Christin
Rebecca Lewis
author_sort Angèle Christin
title The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
title_short The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
title_full The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
title_fullStr The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
title_full_unstemmed The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
title_sort drama of metrics: status, spectacle, and resistance among youtube drama creators
publisher SAGE Publishing
series Social Media + Society
issn 2056-3051
publishDate 2021-03-01
description How does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary, they often rely on metrics as indicators of influence and celebrity on YouTube, thus constituting a relevant site to examine the connection between social media metrics and status. Based on interviews with English-speaking drama creators, we report three main findings. First, creators have a double orientation toward YouTube, which they understand as a site of both economic opportunities and tight-knit relationships. Second, the meanings that creators attach to metrics—their own and the ones of top YouTubers—reflect this double orientation: for them, metrics correlate with economic revenue and social status. Due to this central and multifaceted role of metrics, we find that traffic numbers can turn into a spectacle of their own for drama creators. Third, even in a context in which metrics are central, we identify several distancing strategies on the part of creators. We conclude by discussing whether—and why—resistance to metrics can be found everywhere.
url https://doi.org/10.1177/2056305121999660
work_keys_str_mv AT angelechristin thedramaofmetricsstatusspectacleandresistanceamongyoutubedramacreators
AT rebeccalewis thedramaofmetricsstatusspectacleandresistanceamongyoutubedramacreators
AT angelechristin dramaofmetricsstatusspectacleandresistanceamongyoutubedramacreators
AT rebeccalewis dramaofmetricsstatusspectacleandresistanceamongyoutubedramacreators
_version_ 1724219245095550976