The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators
How does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary...
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2021-03-01
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Series: | Social Media + Society |
Online Access: | https://doi.org/10.1177/2056305121999660 |
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doaj-c8901270285343a893a17e76e078b00b2021-03-16T22:03:20ZengSAGE PublishingSocial Media + Society2056-30512021-03-01710.1177/2056305121999660The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama CreatorsAngèle ChristinRebecca LewisHow does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary, they often rely on metrics as indicators of influence and celebrity on YouTube, thus constituting a relevant site to examine the connection between social media metrics and status. Based on interviews with English-speaking drama creators, we report three main findings. First, creators have a double orientation toward YouTube, which they understand as a site of both economic opportunities and tight-knit relationships. Second, the meanings that creators attach to metrics—their own and the ones of top YouTubers—reflect this double orientation: for them, metrics correlate with economic revenue and social status. Due to this central and multifaceted role of metrics, we find that traffic numbers can turn into a spectacle of their own for drama creators. Third, even in a context in which metrics are central, we identify several distancing strategies on the part of creators. We conclude by discussing whether—and why—resistance to metrics can be found everywhere.https://doi.org/10.1177/2056305121999660 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Angèle Christin Rebecca Lewis |
spellingShingle |
Angèle Christin Rebecca Lewis The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators Social Media + Society |
author_facet |
Angèle Christin Rebecca Lewis |
author_sort |
Angèle Christin |
title |
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators |
title_short |
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators |
title_full |
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators |
title_fullStr |
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators |
title_full_unstemmed |
The Drama of Metrics: Status, Spectacle, and Resistance Among YouTube Drama Creators |
title_sort |
drama of metrics: status, spectacle, and resistance among youtube drama creators |
publisher |
SAGE Publishing |
series |
Social Media + Society |
issn |
2056-3051 |
publishDate |
2021-03-01 |
description |
How does it feel to have one’s online worth and status be based almost exclusively on metrics? We examine this question through a qualitative study of YouTube “drama” channels. Drama creators cover the conflicts and scandals taking place among top YouTube celebrities. As producers of meta-commentary, they often rely on metrics as indicators of influence and celebrity on YouTube, thus constituting a relevant site to examine the connection between social media metrics and status. Based on interviews with English-speaking drama creators, we report three main findings. First, creators have a double orientation toward YouTube, which they understand as a site of both economic opportunities and tight-knit relationships. Second, the meanings that creators attach to metrics—their own and the ones of top YouTubers—reflect this double orientation: for them, metrics correlate with economic revenue and social status. Due to this central and multifaceted role of metrics, we find that traffic numbers can turn into a spectacle of their own for drama creators. Third, even in a context in which metrics are central, we identify several distancing strategies on the part of creators. We conclude by discussing whether—and why—resistance to metrics can be found everywhere. |
url |
https://doi.org/10.1177/2056305121999660 |
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