The Hierarchy of Countries in the Contemporary Art World and Market.
Although studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalizatio...
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StudienVerlag
2006-08-01
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doaj-c880c9a723f14f2c94c36723ddba9db52021-03-19T20:47:52ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X2006-08-01172&310.25365/oezg-2006-17-2-3The Hierarchy of Countries in the Contemporary Art World and Market.Alain Quemin0Laboratoire Techniques, Territoires et Sociétés (LATTS /CNRS) University of Marne-la-Vallée / Institut Universitaire de France Although studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalization, métissage and the abolition of boundaries are largely due to illusion. When objectifying the positions occupied by different countries in the artistic domain a very marked hierarchy becomes apparent. This hierarchy reveals that beyond the development of international exchange there subsist on the one hand a centre with well-defined outlines consisting of some Western countries (the United States and Germany taking the best places) and on the other hand a vast periphery, consisting of all the countries that do not belong to the first set. https://journals.univie.ac.at/index.php/oezg/article/view/4064 |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Alain Quemin |
spellingShingle |
Alain Quemin The Hierarchy of Countries in the Contemporary Art World and Market. Österreichische Zeitschrift für Geschichtswissenschaften |
author_facet |
Alain Quemin |
author_sort |
Alain Quemin |
title |
The Hierarchy of Countries in the Contemporary Art World and Market. |
title_short |
The Hierarchy of Countries in the Contemporary Art World and Market. |
title_full |
The Hierarchy of Countries in the Contemporary Art World and Market. |
title_fullStr |
The Hierarchy of Countries in the Contemporary Art World and Market. |
title_full_unstemmed |
The Hierarchy of Countries in the Contemporary Art World and Market. |
title_sort |
hierarchy of countries in the contemporary art world and market. |
publisher |
StudienVerlag |
series |
Österreichische Zeitschrift für Geschichtswissenschaften |
issn |
1016-765X 2707-966X |
publishDate |
2006-08-01 |
description |
Although studies on globalisation have multiplied since the 1990s there are still rather few empirical sociological studies in this area of interest. Drawing upon the case of contemporary visual arts, this paper tries to highlight how discourses widespread within the art world on globalization, métissage and the abolition of boundaries are largely due to illusion. When objectifying the positions occupied by different countries in the artistic domain a very marked hierarchy becomes apparent. This hierarchy reveals that beyond the development of international exchange there subsist on the one hand a centre with well-defined outlines consisting of some Western countries (the United States and Germany taking the best places) and on the other hand a vast periphery, consisting of all the countries that do not belong to the first set.
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url |
https://journals.univie.ac.at/index.php/oezg/article/view/4064 |
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AT alainquemin thehierarchyofcountriesinthecontemporaryartworldandmarket AT alainquemin hierarchyofcountriesinthecontemporaryartworldandmarket |
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