Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel

In France, the diffusion of the concept of intangible cultural heritage followed two simultaneous paths. A ‘top-down’ movement for the implementation of the Unesco Convention (2003) by the French Ministry of Culture, by means of the creation of an inventory and the mobilisation of the techniques hit...

Full description

Bibliographic Details
Main Author: Jean-Jacques Castéret
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2017-11-01
Series:In Situ : Revue de Patrimoines
Subjects:
Online Access:http://journals.openedition.org/insitu/15478
id doaj-c81d151d897a45598b3bd275908f3b81
record_format Article
spelling doaj-c81d151d897a45598b3bd275908f3b812020-11-24T21:17:46ZfraMinistère de la Culture et de la CommunicationIn Situ : Revue de Patrimoines1630-73052017-11-013310.4000/insitu.15478Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatérielJean-Jacques CastéretIn France, the diffusion of the concept of intangible cultural heritage followed two simultaneous paths. A ‘top-down’ movement for the implementation of the Unesco Convention (2003) by the French Ministry of Culture, by means of the creation of an inventory and the mobilisation of the techniques hitherto used for the ethnological heritage. Considered as a lever by communities of practitioners, the convention has also generated a ‘bottom-up’ movement: nominations for the Unesco lists, participation in inventories… Each of these movements has allowed for the establishment of a renewed dialogue between the State, communities and associations and actors of all kinds. Since the issues of transmission and safeguarding (and therefore action) are central to the Convention, what is the nature of this dialogue today? What are its frameworks? For what emerging results? At the crossroads of these two movements and on the basis of the experience led by the Inoc Aquitaine ethnopole, shared with the Département du pilotage de la recherche et de la politique scientifique (DPRPS) at the Ministry of Culture and various ICH actors in France, this contribution focuses on the digital strategies deployed and at the place of the devices produced in the heritage chain at the crossroads of research and action; between inventory and arts and cultural education; appropriation of resources by artists and field actors, and appropriation of the collaborative functions of these media by individuals and communities.http://journals.openedition.org/insitu/15478intangible cultural heritagedigitalinventorisationmediationartistic and cultural educationoccitan
collection DOAJ
language fra
format Article
sources DOAJ
author Jean-Jacques Castéret
spellingShingle Jean-Jacques Castéret
Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
In Situ : Revue de Patrimoines
intangible cultural heritage
digital
inventorisation
mediation
artistic and cultural education
occitan
author_facet Jean-Jacques Castéret
author_sort Jean-Jacques Castéret
title Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
title_short Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
title_full Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
title_fullStr Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
title_full_unstemmed Le numérique comme « lieu » de la sauvegarde du Patrimoine culturel immatériel
title_sort le numérique comme « lieu » de la sauvegarde du patrimoine culturel immatériel
publisher Ministère de la Culture et de la Communication
series In Situ : Revue de Patrimoines
issn 1630-7305
publishDate 2017-11-01
description In France, the diffusion of the concept of intangible cultural heritage followed two simultaneous paths. A ‘top-down’ movement for the implementation of the Unesco Convention (2003) by the French Ministry of Culture, by means of the creation of an inventory and the mobilisation of the techniques hitherto used for the ethnological heritage. Considered as a lever by communities of practitioners, the convention has also generated a ‘bottom-up’ movement: nominations for the Unesco lists, participation in inventories… Each of these movements has allowed for the establishment of a renewed dialogue between the State, communities and associations and actors of all kinds. Since the issues of transmission and safeguarding (and therefore action) are central to the Convention, what is the nature of this dialogue today? What are its frameworks? For what emerging results? At the crossroads of these two movements and on the basis of the experience led by the Inoc Aquitaine ethnopole, shared with the Département du pilotage de la recherche et de la politique scientifique (DPRPS) at the Ministry of Culture and various ICH actors in France, this contribution focuses on the digital strategies deployed and at the place of the devices produced in the heritage chain at the crossroads of research and action; between inventory and arts and cultural education; appropriation of resources by artists and field actors, and appropriation of the collaborative functions of these media by individuals and communities.
topic intangible cultural heritage
digital
inventorisation
mediation
artistic and cultural education
occitan
url http://journals.openedition.org/insitu/15478
work_keys_str_mv AT jeanjacquescasteret lenumeriquecommelieudelasauvegardedupatrimoineculturelimmateriel
_version_ 1726012204781666304