SILLE POTTERY TRADITION AND TODAY

Dede Korkut epics are considered one of the most invaluable scripts in that they reflect the daily routines, belief system, customs and traditions of old Turkic communities. “Boğaç Khan, The Son of Dirse Khan” is one of the unique Dede Korkut stories in that sense. As the literature demonstrates,...

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Main Authors: Elif BAYRAK KAYA, Naile Rengin OYMAN
Format: Article
Language:English
Published: Sada Institute of Art and Language Studies 2018-12-01
Series:Kalemisi Dergisi
Subjects:
Online Access:http://www.kalemisidergisi.com/makale/pdf/1546516462.pdf
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spelling doaj-c73fd65392b740a89742ffcd77d46dd42020-11-25T02:21:52ZengSada Institute of Art and Language StudiesKalemisi Dergisi2148-046X2148-046X2018-12-0161343945910.7816/kalemisi-06-13-06SILLE POTTERY TRADITION AND TODAYElif BAYRAK KAYANaile Rengin OYMAN Dede Korkut epics are considered one of the most invaluable scripts in that they reflect the daily routines, belief system, customs and traditions of old Turkic communities. “Boğaç Khan, The Son of Dirse Khan” is one of the unique Dede Korkut stories in that sense. As the literature demonstrates, “Boğaç Khan, The Son of Dirse Khan” is known to have been written both in Dresden and Vatican manuscripts of Dede Korkut. Describing how brave Boğaz Khan was and how he took his name, the study was designed to make up a wholeness while it involved a single plot and setting throughout the story. The study involved the parts of abstract, the Stages of miniature composition, main characters, other characters, selected scenes illustrated and the description of the theme of those scenes, figures used, setting and mood, clothing and objects used along with their detailed descriptions and illustrations. The reflection of the plot in tiles, dying and presentation stages have also been described along with the visuals and the range of the techniques used in the composition formation of the story based on the backgrounds as well as the color choices have been demonstrated. The final part of the study involves the visuals of the glazed form of the design. http://www.kalemisidergisi.com/makale/pdf/1546516462.pdfdede korkutbogaç khanminiaturetile artsdesign
collection DOAJ
language English
format Article
sources DOAJ
author Elif BAYRAK KAYA
Naile Rengin OYMAN
spellingShingle Elif BAYRAK KAYA
Naile Rengin OYMAN
SILLE POTTERY TRADITION AND TODAY
Kalemisi Dergisi
dede korkut
bogaç khan
miniature
tile arts
design
author_facet Elif BAYRAK KAYA
Naile Rengin OYMAN
author_sort Elif BAYRAK KAYA
title SILLE POTTERY TRADITION AND TODAY
title_short SILLE POTTERY TRADITION AND TODAY
title_full SILLE POTTERY TRADITION AND TODAY
title_fullStr SILLE POTTERY TRADITION AND TODAY
title_full_unstemmed SILLE POTTERY TRADITION AND TODAY
title_sort sille pottery tradition and today
publisher Sada Institute of Art and Language Studies
series Kalemisi Dergisi
issn 2148-046X
2148-046X
publishDate 2018-12-01
description Dede Korkut epics are considered one of the most invaluable scripts in that they reflect the daily routines, belief system, customs and traditions of old Turkic communities. “Boğaç Khan, The Son of Dirse Khan” is one of the unique Dede Korkut stories in that sense. As the literature demonstrates, “Boğaç Khan, The Son of Dirse Khan” is known to have been written both in Dresden and Vatican manuscripts of Dede Korkut. Describing how brave Boğaz Khan was and how he took his name, the study was designed to make up a wholeness while it involved a single plot and setting throughout the story. The study involved the parts of abstract, the Stages of miniature composition, main characters, other characters, selected scenes illustrated and the description of the theme of those scenes, figures used, setting and mood, clothing and objects used along with their detailed descriptions and illustrations. The reflection of the plot in tiles, dying and presentation stages have also been described along with the visuals and the range of the techniques used in the composition formation of the story based on the backgrounds as well as the color choices have been demonstrated. The final part of the study involves the visuals of the glazed form of the design.
topic dede korkut
bogaç khan
miniature
tile arts
design
url http://www.kalemisidergisi.com/makale/pdf/1546516462.pdf
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