Questions of embodied difference – Film and queer phenomenology

A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the film...

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Main Author: Katharina Lindner
Format: Article
Language:English
Published: Amsterdam University Press 2012-01-01
Series:NECSUS : European journal of media studies
Online Access:https://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/
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spelling doaj-c726565464414787b2c086bf8931ebe92020-11-25T03:28:35ZengAmsterdam University PressNECSUS : European journal of media studies2213-02172012-01-011219921710.5117/NECSUS2012.2.LINDQuestions of embodied difference – Film and queer phenomenologyKatharina LindnerA phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.https://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/
collection DOAJ
language English
format Article
sources DOAJ
author Katharina Lindner
spellingShingle Katharina Lindner
Questions of embodied difference – Film and queer phenomenology
NECSUS : European journal of media studies
author_facet Katharina Lindner
author_sort Katharina Lindner
title Questions of embodied difference – Film and queer phenomenology
title_short Questions of embodied difference – Film and queer phenomenology
title_full Questions of embodied difference – Film and queer phenomenology
title_fullStr Questions of embodied difference – Film and queer phenomenology
title_full_unstemmed Questions of embodied difference – Film and queer phenomenology
title_sort questions of embodied difference – film and queer phenomenology
publisher Amsterdam University Press
series NECSUS : European journal of media studies
issn 2213-0217
publishDate 2012-01-01
description A phenomenological description of the cinematic situation considers the film as a lived body. Just as the human lived body forms the basis for intentionality, perception, expression and action in the world, the film’s body – its technological and instrumental dimension – forms the basis for the films perceptual and expressive engagement with the world. Technological methods and processes thus correlate with modalities of thought and consciousness.
url https://www.necsus-ejms.org/test/questions-of-embodied-difference-film-and-queer-phenomenology/
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