Manners of the man being ridden in Zamora’s choir stalls (and other representations)

The motif called ‘Aristotle and Phyllis’ was carved in Gothic choir stalls of very distant European temples. But this is just one of the iconographic solutions that vary the same ‘framing-theme’ in the representations. After reviewing some problems of the investigation dealing with these sculptures,...

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Main Author: Elena Muñoz Gómez
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2018-12-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/61620
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spelling doaj-c6e7bef7000e4e76add5e5bd1ab33eab2020-11-25T02:53:55ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912018-12-0128036138210.5209/ANHA.6162055887Manners of the man being ridden in Zamora’s choir stalls (and other representations)Elena Muñoz Gómez0Departamento de Bellas Artes e Historia del Arte. Universidad de SalamancaThe motif called ‘Aristotle and Phyllis’ was carved in Gothic choir stalls of very distant European temples. But this is just one of the iconographic solutions that vary the same ‘framing-theme’ in the representations. After reviewing some problems of the investigation dealing with these sculptures, in this case we attend to two misericords of Zamora’s stalls that version the theme of the ride: one that represents some peculiar Aristotle and Phyllis, and another that represents a school punishment. To consider the meaning expressed through the forms that relate both scenes in this chorus, we turn to other representations that modulate the same discourse and share figurative mechanisms.http://revistasculturales.ucm.es/index.php/ANHA/article/view/61620aristóteles y filiscastigo escolarviolencia domésticacabalgarsillerías corales.
collection DOAJ
language English
format Article
sources DOAJ
author Elena Muñoz Gómez
spellingShingle Elena Muñoz Gómez
Manners of the man being ridden in Zamora’s choir stalls (and other representations)
Anales de Historia del Arte
aristóteles y filis
castigo escolar
violencia doméstica
cabalgar
sillerías corales.
author_facet Elena Muñoz Gómez
author_sort Elena Muñoz Gómez
title Manners of the man being ridden in Zamora’s choir stalls (and other representations)
title_short Manners of the man being ridden in Zamora’s choir stalls (and other representations)
title_full Manners of the man being ridden in Zamora’s choir stalls (and other representations)
title_fullStr Manners of the man being ridden in Zamora’s choir stalls (and other representations)
title_full_unstemmed Manners of the man being ridden in Zamora’s choir stalls (and other representations)
title_sort manners of the man being ridden in zamora’s choir stalls (and other representations)
publisher Universidad Complutense de Madrid
series Anales de Historia del Arte
issn 0214-6452
1988-2491
publishDate 2018-12-01
description The motif called ‘Aristotle and Phyllis’ was carved in Gothic choir stalls of very distant European temples. But this is just one of the iconographic solutions that vary the same ‘framing-theme’ in the representations. After reviewing some problems of the investigation dealing with these sculptures, in this case we attend to two misericords of Zamora’s stalls that version the theme of the ride: one that represents some peculiar Aristotle and Phyllis, and another that represents a school punishment. To consider the meaning expressed through the forms that relate both scenes in this chorus, we turn to other representations that modulate the same discourse and share figurative mechanisms.
topic aristóteles y filis
castigo escolar
violencia doméstica
cabalgar
sillerías corales.
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/61620
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