Cinematic Walls: Pedro Costa’s Mural Imagination
This essay offers a reading of Pedro Costa’s first feature-length film, O sangue (1989). It explores the representation of different sorts of walls, their semantic inferences and functions, arguing that Costa's "mural imagination" speaks to the limits—or perceived limitlessness—of con...
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| Format: | Article |
| Language: | English |
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American Portuguese Studies Association (APSA)
2017-06-01
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| Series: | Journal of Lusophone Studies |
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| Online Access: | https://jls.apsa.us/index.php/jls/article/view/142 |