“Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland

Peter J. Conradi, a lifelong friend and biographer of Iris Murdoch, born in Dublin of Anglo-Irish parents, speaks of her attachment to/ detachment from her country of origin as follows: “Her Irish connection was reflected in a lifetime’s intellectual and emotional engagement [that] – before her illn...

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Main Author: Carla de Petris
Format: Article
Language:English
Published: Firenze University Press 2016-06-01
Series:Studi Irlandesi : a Journal of Irish Studies
Online Access:https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7271
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spelling doaj-c6b8566ee56546c4873866e752b12d6b2020-11-25T02:52:19ZengFirenze University PressStudi Irlandesi : a Journal of Irish Studies2239-39782016-06-016610.13128/SIJIS-2239-3978-1846515395“Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and IrelandCarla de Petris0Laboratorio editoriale OA / Dip. LILSIPeter J. Conradi, a lifelong friend and biographer of Iris Murdoch, born in Dublin of Anglo-Irish parents, speaks of her attachment to/ detachment from her country of origin as follows: “Her Irish connection was reflected in a lifetime’s intellectual and emotional engagement [that] – before her illness – transformed her from a romantic Marxist idealist to a hard-line Unionist and defender of the politics of Ian Paisley” (Conradi 2001b). This article is an attempt to investigate possible connections between Murdoch’s social, ethnic, and religious background and her philosophy based on up-rooted and rootedness and self-distancing (terms borrowed from Simone Weil) personified in the characters of her numerous novels. Her only works set in Ireland, namely the short story “Something Special” (1958), and the novels The Unicorn (1963) and The Red and the Green (1965), will be analysed and compared with the novels of another womanwriter from the same background, Jennifer Johnston, the doyen of Irish writers, who has inherited and modified the same tradition in the light of contemporary Irish history.https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7271
collection DOAJ
language English
format Article
sources DOAJ
author Carla de Petris
spellingShingle Carla de Petris
“Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
Studi Irlandesi : a Journal of Irish Studies
author_facet Carla de Petris
author_sort Carla de Petris
title “Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
title_short “Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
title_full “Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
title_fullStr “Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
title_full_unstemmed “Who am I? Well, I’m Irish anyway, that’s something.” Iris Murdoch and Ireland
title_sort “who am i? well, i’m irish anyway, that’s something.” iris murdoch and ireland
publisher Firenze University Press
series Studi Irlandesi : a Journal of Irish Studies
issn 2239-3978
publishDate 2016-06-01
description Peter J. Conradi, a lifelong friend and biographer of Iris Murdoch, born in Dublin of Anglo-Irish parents, speaks of her attachment to/ detachment from her country of origin as follows: “Her Irish connection was reflected in a lifetime’s intellectual and emotional engagement [that] – before her illness – transformed her from a romantic Marxist idealist to a hard-line Unionist and defender of the politics of Ian Paisley” (Conradi 2001b). This article is an attempt to investigate possible connections between Murdoch’s social, ethnic, and religious background and her philosophy based on up-rooted and rootedness and self-distancing (terms borrowed from Simone Weil) personified in the characters of her numerous novels. Her only works set in Ireland, namely the short story “Something Special” (1958), and the novels The Unicorn (1963) and The Red and the Green (1965), will be analysed and compared with the novels of another womanwriter from the same background, Jennifer Johnston, the doyen of Irish writers, who has inherited and modified the same tradition in the light of contemporary Irish history.
url https://oajournals.fupress.net/index.php/bsfm-sijis/article/view/7271
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