Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan

Abstract:In this paper I attempt to argue that gamelan performances are not just musical phenomena in which audiences can enjoy the aesthetic of the performances but at the same time they are modes of communication.Using a specific mode audiences can extract messages to conduct musical communication...

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Main Author: Santosa .
Format: Article
Language:English
Published: Universitas Atma Jaya Yogyakarta 2013-12-01
Series:Jurnal Ilmu Komunikasi
Online Access:http://ojs.uajy.ac.id/index.php/jik/article/view/212
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spelling doaj-c66b120259474e8388cf69259fc8ac5b2020-11-24T22:39:34ZengUniversitas Atma Jaya YogyakartaJurnal Ilmu Komunikasi1829-65642548-86432013-12-015210.24002/jik.v5i2.212208Menggagas Komunikasi Musikal dalam Pertunjukan GamelanSantosa .Abstract:In this paper I attempt to argue that gamelan performances are not just musical phenomena in which audiences can enjoy the aesthetic of the performances but at the same time they are modes of communication.Using a specific mode audiences can extract messages to conduct musical communication. In eliciting the messages audiences use the “connotative complex†mode where they can get message(s) among other varieties of possible messages.http://ojs.uajy.ac.id/index.php/jik/article/view/212
collection DOAJ
language English
format Article
sources DOAJ
author Santosa .
spellingShingle Santosa .
Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
Jurnal Ilmu Komunikasi
author_facet Santosa .
author_sort Santosa .
title Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
title_short Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
title_full Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
title_fullStr Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
title_full_unstemmed Menggagas Komunikasi Musikal dalam Pertunjukan Gamelan
title_sort menggagas komunikasi musikal dalam pertunjukan gamelan
publisher Universitas Atma Jaya Yogyakarta
series Jurnal Ilmu Komunikasi
issn 1829-6564
2548-8643
publishDate 2013-12-01
description Abstract:In this paper I attempt to argue that gamelan performances are not just musical phenomena in which audiences can enjoy the aesthetic of the performances but at the same time they are modes of communication.Using a specific mode audiences can extract messages to conduct musical communication. In eliciting the messages audiences use the “connotative complex†mode where they can get message(s) among other varieties of possible messages.
url http://ojs.uajy.ac.id/index.php/jik/article/view/212
work_keys_str_mv AT santosa menggagaskomunikasimusikaldalampertunjukangamelan
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