Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to...
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2006-12-01
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Series: | Muzikološki Zbornik |
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Online Access: | https://193.2.70.196/MuzikoloskiZbornik/article/view/5601 |
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doaj-c567f9f43db54d71b89f4cfdf0b7282d2021-03-02T02:02:52ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422006-12-01421Reflections on the History of Computer-Assisted Music Analysis II: The 1960sNico SchülerThis article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, the wealth of attempts to analyze music with the help of computers during the 1960s provided the foundation for the deeper approaches to computer-assisted music analysis of the following decades.https://193.2.70.196/MuzikoloskiZbornik/article/view/5601computer-assisted music analysisinformation theorydevelopment of early computers |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Nico Schüler |
spellingShingle |
Nico Schüler Reflections on the History of Computer-Assisted Music Analysis II: The 1960s Muzikološki Zbornik computer-assisted music analysis information theory development of early computers |
author_facet |
Nico Schüler |
author_sort |
Nico Schüler |
title |
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s |
title_short |
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s |
title_full |
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s |
title_fullStr |
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s |
title_full_unstemmed |
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s |
title_sort |
reflections on the history of computer-assisted music analysis ii: the 1960s |
publisher |
Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) |
series |
Muzikološki Zbornik |
issn |
0580-373X 2350-4242 |
publishDate |
2006-12-01 |
description |
This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, the wealth of attempts to analyze music with the help of computers during the 1960s provided the foundation for the deeper approaches to computer-assisted music analysis of the following decades. |
topic |
computer-assisted music analysis information theory development of early computers |
url |
https://193.2.70.196/MuzikoloskiZbornik/article/view/5601 |
work_keys_str_mv |
AT nicoschuler reflectionsonthehistoryofcomputerassistedmusicanalysisiithe1960s |
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