Reflections on the History of Computer-Assisted Music Analysis II: The 1960s

This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to...

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Main Author: Nico Schüler
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2006-12-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://193.2.70.196/MuzikoloskiZbornik/article/view/5601
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spelling doaj-c567f9f43db54d71b89f4cfdf0b7282d2021-03-02T02:02:52ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422006-12-01421Reflections on the History of Computer-Assisted Music Analysis II: The 1960sNico SchülerThis article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, the wealth of attempts to analyze music with the help of computers during the 1960s provided the foundation for the deeper approaches to computer-assisted music analysis of the following decades.https://193.2.70.196/MuzikoloskiZbornik/article/view/5601computer-assisted music analysisinformation theorydevelopment of early computers
collection DOAJ
language deu
format Article
sources DOAJ
author Nico Schüler
spellingShingle Nico Schüler
Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
Muzikološki Zbornik
computer-assisted music analysis
information theory
development of early computers
author_facet Nico Schüler
author_sort Nico Schüler
title Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
title_short Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
title_full Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
title_fullStr Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
title_full_unstemmed Reflections on the History of Computer-Assisted Music Analysis II: The 1960s
title_sort reflections on the history of computer-assisted music analysis ii: the 1960s
publisher Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
series Muzikološki Zbornik
issn 0580-373X
2350-4242
publishDate 2006-12-01
description This article, the second in a series of articles on the history of computer-assisted music analysis, focuses on developments of computer-assisted music analysis during the 1960s. While the most trendsetting approaches and publications are being discussed, this article points out that at least up to the end of the 1960s, computer-assisted analysis of style was anything but comprehensive, interpersonal, and rich in musical insight. Nevertheless, the wealth of attempts to analyze music with the help of computers during the 1960s provided the foundation for the deeper approaches to computer-assisted music analysis of the following decades.
topic computer-assisted music analysis
information theory
development of early computers
url https://193.2.70.196/MuzikoloskiZbornik/article/view/5601
work_keys_str_mv AT nicoschuler reflectionsonthehistoryofcomputerassistedmusicanalysisiithe1960s
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