Living Precarious Lives? Time and Temporality in Visual Arts Careers

Although precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss...

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Main Authors: Paula Serafini, Mark Banks
Format: Article
Language:English
Published: Linköping University Electronic Press 2020-05-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:https://cultureunbound.ep.liu.se/article/view/2199
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spelling doaj-c4f5af7bc91c4187aace479c3d24aeb62020-11-25T03:59:06ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252020-05-0112235137210.3384/cu.2000.1525.20200504a2199Living Precarious Lives? Time and Temporality in Visual Arts CareersPaula Serafini0Mark Banks1CAMEo Research Institute for Cultural and Media Economies, University of Leicester, United KingdomSchool of Culture and Creative Arts, University of Glasgow, United KingdomAlthough precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss over social differences in the distribution of precariousness. And secondly, precarity tends to imply a universal condition of ‘temporal poverty’ where all social experience appears dominated by the frenetic demands of a speeded-up, unstable and fragmented social world. In this article, we show how these two omissions are interlinked and prevent a more nuanced understanding of time in artistic labour. Drawing from findings from empirical research with working visual artists in the Midlands of the UK, we propose three schematic ways of thinking about the organisation of time and temporality in routine artistic practice. We name these three temporal contexts ‘the artistic career’; ‘the time of making art’ and ‘the temporality of the work’. By researching how artists might be differently positioned in relation to time, we suggest, we not only obtain a more precise understanding of how professional artists’ lives are organised, managed and lived, but also a more distinct understanding of precarity itself.https://cultureunbound.ep.liu.se/article/view/2199precaritytimetemporalityartistic workcareerscreative labour
collection DOAJ
language English
format Article
sources DOAJ
author Paula Serafini
Mark Banks
spellingShingle Paula Serafini
Mark Banks
Living Precarious Lives? Time and Temporality in Visual Arts Careers
Culture Unbound: Journal of Current Cultural Research
precarity
time
temporality
artistic work
careers
creative labour
author_facet Paula Serafini
Mark Banks
author_sort Paula Serafini
title Living Precarious Lives? Time and Temporality in Visual Arts Careers
title_short Living Precarious Lives? Time and Temporality in Visual Arts Careers
title_full Living Precarious Lives? Time and Temporality in Visual Arts Careers
title_fullStr Living Precarious Lives? Time and Temporality in Visual Arts Careers
title_full_unstemmed Living Precarious Lives? Time and Temporality in Visual Arts Careers
title_sort living precarious lives? time and temporality in visual arts careers
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2020-05-01
description Although precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss over social differences in the distribution of precariousness. And secondly, precarity tends to imply a universal condition of ‘temporal poverty’ where all social experience appears dominated by the frenetic demands of a speeded-up, unstable and fragmented social world. In this article, we show how these two omissions are interlinked and prevent a more nuanced understanding of time in artistic labour. Drawing from findings from empirical research with working visual artists in the Midlands of the UK, we propose three schematic ways of thinking about the organisation of time and temporality in routine artistic practice. We name these three temporal contexts ‘the artistic career’; ‘the time of making art’ and ‘the temporality of the work’. By researching how artists might be differently positioned in relation to time, we suggest, we not only obtain a more precise understanding of how professional artists’ lives are organised, managed and lived, but also a more distinct understanding of precarity itself.
topic precarity
time
temporality
artistic work
careers
creative labour
url https://cultureunbound.ep.liu.se/article/view/2199
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