Living Precarious Lives? Time and Temporality in Visual Arts Careers
Although precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss...
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
Linköping University Electronic Press
2020-05-01
|
Series: | Culture Unbound: Journal of Current Cultural Research |
Subjects: | |
Online Access: | https://cultureunbound.ep.liu.se/article/view/2199 |
id |
doaj-c4f5af7bc91c4187aace479c3d24aeb6 |
---|---|
record_format |
Article |
spelling |
doaj-c4f5af7bc91c4187aace479c3d24aeb62020-11-25T03:59:06ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252020-05-0112235137210.3384/cu.2000.1525.20200504a2199Living Precarious Lives? Time and Temporality in Visual Arts CareersPaula Serafini0Mark Banks1CAMEo Research Institute for Cultural and Media Economies, University of Leicester, United KingdomSchool of Culture and Creative Arts, University of Glasgow, United KingdomAlthough precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss over social differences in the distribution of precariousness. And secondly, precarity tends to imply a universal condition of ‘temporal poverty’ where all social experience appears dominated by the frenetic demands of a speeded-up, unstable and fragmented social world. In this article, we show how these two omissions are interlinked and prevent a more nuanced understanding of time in artistic labour. Drawing from findings from empirical research with working visual artists in the Midlands of the UK, we propose three schematic ways of thinking about the organisation of time and temporality in routine artistic practice. We name these three temporal contexts ‘the artistic career’; ‘the time of making art’ and ‘the temporality of the work’. By researching how artists might be differently positioned in relation to time, we suggest, we not only obtain a more precise understanding of how professional artists’ lives are organised, managed and lived, but also a more distinct understanding of precarity itself.https://cultureunbound.ep.liu.se/article/view/2199precaritytimetemporalityartistic workcareerscreative labour |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Paula Serafini Mark Banks |
spellingShingle |
Paula Serafini Mark Banks Living Precarious Lives? Time and Temporality in Visual Arts Careers Culture Unbound: Journal of Current Cultural Research precarity time temporality artistic work careers creative labour |
author_facet |
Paula Serafini Mark Banks |
author_sort |
Paula Serafini |
title |
Living Precarious Lives? Time and Temporality in Visual Arts Careers |
title_short |
Living Precarious Lives? Time and Temporality in Visual Arts Careers |
title_full |
Living Precarious Lives? Time and Temporality in Visual Arts Careers |
title_fullStr |
Living Precarious Lives? Time and Temporality in Visual Arts Careers |
title_full_unstemmed |
Living Precarious Lives? Time and Temporality in Visual Arts Careers |
title_sort |
living precarious lives? time and temporality in visual arts careers |
publisher |
Linköping University Electronic Press |
series |
Culture Unbound: Journal of Current Cultural Research |
issn |
2000-1525 |
publishDate |
2020-05-01 |
description |
Although precarity has always been a characteristic feature of artistic labour, many critics now claim it is becoming more widespread and engrained. However, while the idea of precarity offers a good descriptor of the conditions of artistic labour, it also has its limits. Firstly, it tends to gloss over social differences in the distribution of precariousness. And secondly, precarity tends to imply a universal condition of ‘temporal poverty’ where all social experience appears dominated by the frenetic demands of a speeded-up, unstable and fragmented social world. In this article, we show how these two omissions are interlinked and prevent a more nuanced understanding of time in artistic labour. Drawing from findings from empirical research with working visual artists in the Midlands of the UK, we propose three schematic ways of thinking about the organisation of time and temporality in routine artistic practice. We name these three temporal contexts ‘the artistic career’; ‘the time of making art’ and ‘the temporality of the work’. By researching how artists might be differently positioned in relation to time, we suggest, we not only obtain a more precise understanding of how professional artists’ lives are organised, managed and lived, but also a more distinct understanding of precarity itself. |
topic |
precarity time temporality artistic work careers creative labour |
url |
https://cultureunbound.ep.liu.se/article/view/2199 |
work_keys_str_mv |
AT paulaserafini livingprecariouslivestimeandtemporalityinvisualartscareers AT markbanks livingprecariouslivestimeandtemporalityinvisualartscareers |
_version_ |
1724455539277037568 |