The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still

The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still

The complexities presented by the exercise of interpretation on Beckett’s work are not due only to questions of philosophical content (i.e. The horizon of Postwar Existentialism), but to his formal approach to language reflection. Namely, words go through a progressive devastation at the core of the...

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Main Author: Sergio Rojas C.
Format: Article
Language:Spanish
Published: Universidad de Chile 2017-07-01
Series:Revista Chilena de Literatura
Online Access:https://revistaliteratura.uchile.cl/index.php/RCL/article/view/46932
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spelling doaj-c4d3675ee5c7433c94504740189c960a2020-11-25T00:18:58ZspaUniversidad de ChileRevista Chilena de Literatura0048-76510718-22952017-07-019546932The writing of the detritus in Samuel Beckett: in the end nothing will have been said, stillSergio Rojas C.0Universidad de ChileThe complexities presented by the exercise of interpretation on Beckett’s work are not due only to questions of philosophical content (i.e. The horizon of Postwar Existentialism), but to his formal approach to language reflection. Namely, words go through a progressive devastation at the core of their significance and connotative reach. This article further explores that process, and the exhaustion of the self as subject in the narrative trilogy Molloy, Malone Dies and The Unnamablehttps://revistaliteratura.uchile.cl/index.php/RCL/article/view/46932
collection DOAJ
language Spanish
format Article
sources DOAJ
author Sergio Rojas C.
spellingShingle Sergio Rojas C.
The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
Revista Chilena de Literatura
author_facet Sergio Rojas C.
author_sort Sergio Rojas C.
title The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
title_short The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
title_full The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
title_fullStr The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
title_full_unstemmed The writing of the detritus in Samuel Beckett: in the end nothing will have been said, still
title_sort writing of the detritus in samuel beckett: in the end nothing will have been said, still
publisher Universidad de Chile
series Revista Chilena de Literatura
issn 0048-7651
0718-2295
publishDate 2017-07-01
description The complexities presented by the exercise of interpretation on Beckett’s work are not due only to questions of philosophical content (i.e. The horizon of Postwar Existentialism), but to his formal approach to language reflection. Namely, words go through a progressive devastation at the core of their significance and connotative reach. This article further explores that process, and the exhaustion of the self as subject in the narrative trilogy Molloy, Malone Dies and The Unnamable
url https://revistaliteratura.uchile.cl/index.php/RCL/article/view/46932
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