Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine

In this essay we have two forms of wisdom conversing, on one hand the philosopher’s and on the other the dancer’s. Two wisdoms only apparently distant. The one, expressed through the philosophical language typical of the early Maurice Merleau-Porty; the other gained through the practice of classical...

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Main Author: Clara Sinibaldi
Format: Article
Language:Italian
Published: University of Bologna 2009-09-01
Series:Danza e Ricerca
Online Access:http://danzaericerca.unibo.it/article/view/1621
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spelling doaj-c464bb82d1d54a2bb4a25ab1af2c0ef52020-11-24T21:47:58ZitaUniversity of BolognaDanza e Ricerca2036-15992009-09-0120090791061556Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divineClara SinibaldiIn this essay we have two forms of wisdom conversing, on one hand the philosopher’s and on the other the dancer’s. Two wisdoms only apparently distant. The one, expressed through the philosophical language typical of the early Maurice Merleau-Porty; the other gained through the practice of classical ballet typical of the French dancer Mireille Nègre. The reflections and the research paths carried out by the main characters of this virtual conversation revolve around a fascinating and mysterious thematic knot: the body of Jesus of Nazareth and the body of the dancer express the same experience, they trace a circular movement that joins human and divine, sky and earth, visible and invisible. Both authors recognize that the human body is capable of God. If the incarnation of Jesus stands for the implementation of a horizontal relationship between man and God, dance can be then experienced as a real and ineffable encounter with the absolute that mysteriously unfolds in the dancing body.http://danzaericerca.unibo.it/article/view/1621
collection DOAJ
language Italian
format Article
sources DOAJ
author Clara Sinibaldi
spellingShingle Clara Sinibaldi
Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
Danza e Ricerca
author_facet Clara Sinibaldi
author_sort Clara Sinibaldi
title Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
title_short Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
title_full Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
title_fullStr Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
title_full_unstemmed Philosophy and dance conversing. When philosophy enlightens dance as concept of being and experience of the divine
title_sort philosophy and dance conversing. when philosophy enlightens dance as concept of being and experience of the divine
publisher University of Bologna
series Danza e Ricerca
issn 2036-1599
publishDate 2009-09-01
description In this essay we have two forms of wisdom conversing, on one hand the philosopher’s and on the other the dancer’s. Two wisdoms only apparently distant. The one, expressed through the philosophical language typical of the early Maurice Merleau-Porty; the other gained through the practice of classical ballet typical of the French dancer Mireille Nègre. The reflections and the research paths carried out by the main characters of this virtual conversation revolve around a fascinating and mysterious thematic knot: the body of Jesus of Nazareth and the body of the dancer express the same experience, they trace a circular movement that joins human and divine, sky and earth, visible and invisible. Both authors recognize that the human body is capable of God. If the incarnation of Jesus stands for the implementation of a horizontal relationship between man and God, dance can be then experienced as a real and ineffable encounter with the absolute that mysteriously unfolds in the dancing body.
url http://danzaericerca.unibo.it/article/view/1621
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