Recollect: Snippets of Self

This writing explores the place of personal testimony against broader political landscapes of official histories and narratives. It looks at home video footage and family photographs as part of the visual portrait of a curated record of the autobiographical self. I reflect on the process of the maki...

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Main Author: Nikki Comninos
Format: Article
Language:English
Published: University of Gothenburg 2020-06-01
Series:Parse Journal
Subjects:
Online Access:https://parsejournal.com/article/recollect/
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spelling doaj-c462e10fa04f46b8b56647c6cfa727672021-03-25T12:34:15ZengUniversity of GothenburgParse Journal2002-09532020-06-0111 IntersectionsRecollect: Snippets of SelfNikki ComninosThis writing explores the place of personal testimony against broader political landscapes of official histories and narratives. It looks at home video footage and family photographs as part of the visual portrait of a curated record of the autobiographical self. I reflect on the process of the making my documentary film, Fraternal, which explores the history and memory of my own family. The film is set against the backdrop of the political situation in southern Africa during the 1980s, when my parents left South Africa and my twin brother and I were born in Zimbabwe, and the 1990s, when my family returned to South Africa after the unbanning of the ANC. The film is predominantly comprised of personal home video footage: a mixture of Super 8mm, Hi8 and DV. The film was employed as a methodological instrument to explore the theoretical landscape where I located my mode of practice in Barthes’s punctum and autoethnography. This writing explores both the film and what emerged from the making of it, how I mobilised the archive and how the film provided an anchor for my own subjective journey into my past and my future.https://parsejournal.com/article/recollect/documentary filmautoethnographypunctumzimbabweapartheidsouth africahome videodomestic ethnography
collection DOAJ
language English
format Article
sources DOAJ
author Nikki Comninos
spellingShingle Nikki Comninos
Recollect: Snippets of Self
Parse Journal
documentary film
autoethnography
punctum
zimbabwe
apartheid
south africa
home video
domestic ethnography
author_facet Nikki Comninos
author_sort Nikki Comninos
title Recollect: Snippets of Self
title_short Recollect: Snippets of Self
title_full Recollect: Snippets of Self
title_fullStr Recollect: Snippets of Self
title_full_unstemmed Recollect: Snippets of Self
title_sort recollect: snippets of self
publisher University of Gothenburg
series Parse Journal
issn 2002-0953
publishDate 2020-06-01
description This writing explores the place of personal testimony against broader political landscapes of official histories and narratives. It looks at home video footage and family photographs as part of the visual portrait of a curated record of the autobiographical self. I reflect on the process of the making my documentary film, Fraternal, which explores the history and memory of my own family. The film is set against the backdrop of the political situation in southern Africa during the 1980s, when my parents left South Africa and my twin brother and I were born in Zimbabwe, and the 1990s, when my family returned to South Africa after the unbanning of the ANC. The film is predominantly comprised of personal home video footage: a mixture of Super 8mm, Hi8 and DV. The film was employed as a methodological instrument to explore the theoretical landscape where I located my mode of practice in Barthes’s punctum and autoethnography. This writing explores both the film and what emerged from the making of it, how I mobilised the archive and how the film provided an anchor for my own subjective journey into my past and my future.
topic documentary film
autoethnography
punctum
zimbabwe
apartheid
south africa
home video
domestic ethnography
url https://parsejournal.com/article/recollect/
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