Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975)
In the 1970s, film language faced a change towards a more intensified relationship with the viewer. In my contribution, I consider the case study of “Yuppi Du”, a rock opera authored by singer Adriano Celentano in 1975, one of the most conscious attempts in Italy to follow the new trends in...
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| Language: | Italian |
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Università degli Studi di Milano
2020-06-01
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| Online Access: | https://riviste.unimi.it/index.php/schermi/article/view/12664 |
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doaj-c448295e784a42a787a5b1f6f5dd50822020-11-25T04:10:52ZitaUniversità degli Studi di MilanoSchermi2532-24862020-06-014710.13130/2532-2486/12664Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975)Massimo Locatelli0Università Cattolica del Sacro Cuore In the 1970s, film language faced a change towards a more intensified relationship with the viewer. In my contribution, I consider the case study of “Yuppi Du”, a rock opera authored by singer Adriano Celentano in 1975, one of the most conscious attempts in Italy to follow the new trends in musical film. On the basis of recent researches in the psychology of rhythm and musical timing, I delve into the emotional qualities of a narrative and stylistic formula which is structured not by the plot, but by a succession of songs comparable with a concept album, or a pop catalogue. https://riviste.unimi.it/index.php/schermi/article/view/12664Celentanorock operafilm musicsound studiesrhythm |
| collection |
DOAJ |
| language |
Italian |
| format |
Article |
| sources |
DOAJ |
| author |
Massimo Locatelli |
| spellingShingle |
Massimo Locatelli Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) Schermi Celentano rock opera film music sound studies rhythm |
| author_facet |
Massimo Locatelli |
| author_sort |
Massimo Locatelli |
| title |
Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) |
| title_short |
Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) |
| title_full |
Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) |
| title_fullStr |
Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) |
| title_full_unstemmed |
Il catalogo musicale pop e il cinema delle emozioni: il caso "Yuppi Du" (1975) |
| title_sort |
il catalogo musicale pop e il cinema delle emozioni: il caso "yuppi du" (1975) |
| publisher |
Università degli Studi di Milano |
| series |
Schermi |
| issn |
2532-2486 |
| publishDate |
2020-06-01 |
| description |
In the 1970s, film language faced a change towards a more intensified relationship with the viewer. In my contribution, I consider the case study of “Yuppi Du”, a rock opera authored by singer Adriano Celentano in 1975, one of the most conscious attempts in Italy to follow the new trends in musical film. On the basis of recent researches in the psychology of rhythm and musical timing, I delve into the emotional qualities of a narrative and stylistic formula which is structured not by the plot, but by a succession of songs comparable with a concept album, or a pop catalogue.
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| topic |
Celentano rock opera film music sound studies rhythm |
| url |
https://riviste.unimi.it/index.php/schermi/article/view/12664 |
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AT massimolocatelli ilcatalogomusicalepopeilcinemadelleemozioniilcasoyuppidu1975 |
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