The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière

Pinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known....

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Main Authors: Natasha Ruiz-Gómez, Michael Liebrenz
Format: Article
Language:English
Published: Elsevier 2021-11-01
Series:Forensic Science International: Mind and Law
Online Access:http://www.sciencedirect.com/science/article/pii/S2666353821000060
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spelling doaj-c41c2f934fed45cc8e98c79793c981972021-03-07T04:30:29ZengElsevierForensic Science International: Mind and Law2666-35382021-11-012100049The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the SalpêtrièreNatasha Ruiz-Gómez0Michael Liebrenz1School of Philosophy and Art History, University of Essex, United Kingdom; Corresponding author.Department of Forensic Psychiatry, Institute of Forensic Medicine, University of Bern, Bern, SwitzerlandPinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known. Through the lenses of art history and forensic psychiatry, this article examines the creation of Robert-Fleury's painting in relation to the medical and political context of late nineteenth-century France, including its indebtedness to Jean-Martin Charcot's studies of hysteria. The article also highlights the enduring significance of the artwork and its continued relevance to the modern practices of forensic psychiatry.http://www.sciencedirect.com/science/article/pii/S2666353821000060
collection DOAJ
language English
format Article
sources DOAJ
author Natasha Ruiz-Gómez
Michael Liebrenz
spellingShingle Natasha Ruiz-Gómez
Michael Liebrenz
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
Forensic Science International: Mind and Law
author_facet Natasha Ruiz-Gómez
Michael Liebrenz
author_sort Natasha Ruiz-Gómez
title The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
title_short The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
title_full The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
title_fullStr The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
title_full_unstemmed The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
title_sort ties that bind past and present: tony robert-fleury, philippe pinel and the salpêtrière
publisher Elsevier
series Forensic Science International: Mind and Law
issn 2666-3538
publishDate 2021-11-01
description Pinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known. Through the lenses of art history and forensic psychiatry, this article examines the creation of Robert-Fleury's painting in relation to the medical and political context of late nineteenth-century France, including its indebtedness to Jean-Martin Charcot's studies of hysteria. The article also highlights the enduring significance of the artwork and its continued relevance to the modern practices of forensic psychiatry.
url http://www.sciencedirect.com/science/article/pii/S2666353821000060
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