The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière
Pinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known....
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doaj-c41c2f934fed45cc8e98c79793c981972021-03-07T04:30:29ZengElsevierForensic Science International: Mind and Law2666-35382021-11-012100049The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the SalpêtrièreNatasha Ruiz-Gómez0Michael Liebrenz1School of Philosophy and Art History, University of Essex, United Kingdom; Corresponding author.Department of Forensic Psychiatry, Institute of Forensic Medicine, University of Bern, Bern, SwitzerlandPinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known. Through the lenses of art history and forensic psychiatry, this article examines the creation of Robert-Fleury's painting in relation to the medical and political context of late nineteenth-century France, including its indebtedness to Jean-Martin Charcot's studies of hysteria. The article also highlights the enduring significance of the artwork and its continued relevance to the modern practices of forensic psychiatry.http://www.sciencedirect.com/science/article/pii/S2666353821000060 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Natasha Ruiz-Gómez Michael Liebrenz |
spellingShingle |
Natasha Ruiz-Gómez Michael Liebrenz The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière Forensic Science International: Mind and Law |
author_facet |
Natasha Ruiz-Gómez Michael Liebrenz |
author_sort |
Natasha Ruiz-Gómez |
title |
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière |
title_short |
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière |
title_full |
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière |
title_fullStr |
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière |
title_full_unstemmed |
The ties that bind past and present: Tony Robert-Fleury, Philippe Pinel and the Salpêtrière |
title_sort |
ties that bind past and present: tony robert-fleury, philippe pinel and the salpêtrière |
publisher |
Elsevier |
series |
Forensic Science International: Mind and Law |
issn |
2666-3538 |
publishDate |
2021-11-01 |
description |
Pinel Freeing the Insane from Their Chains (1876, Hôpital de la Salpêtrière, Paris) by Tony Robert-Fleury is one of the most famous depictions of the treatment of those suffering with a mental illness. The background of this life-size painting and the reasons for its commission are less well-known. Through the lenses of art history and forensic psychiatry, this article examines the creation of Robert-Fleury's painting in relation to the medical and political context of late nineteenth-century France, including its indebtedness to Jean-Martin Charcot's studies of hysteria. The article also highlights the enduring significance of the artwork and its continued relevance to the modern practices of forensic psychiatry. |
url |
http://www.sciencedirect.com/science/article/pii/S2666353821000060 |
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