Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018
Illustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna...
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Associazione Italiana Polonisti
2019-12-01
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| Series: | Pl.it |
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| Online Access: | https://plitonline.it/2019/plit-10-2019-93-108-laura-quercioli-mincer |
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doaj-c3f0b2d7ca8f470ead0fc6b03b02933e2021-04-02T16:14:00ZengAssociazione Italiana PolonistiPl.it2384-92662384-92662019-12-011093108Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018Laura Quercioli Mincer0University of GenoaIllustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna Piotrowska, Erna Rosenstein, and Krzysztof Wodiczko, and on how the exhibition represents some currents in visual studies linked to historical narrative.https://plitonline.it/2019/plit-10-2019-93-108-laura-quercioli-mincervisual artanti-semitismhistorical exhibitspolish historycultural memoryhistorical memory |
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DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Laura Quercioli Mincer |
| spellingShingle |
Laura Quercioli Mincer Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 Pl.it visual art anti-semitism historical exhibits polish history cultural memory historical memory |
| author_facet |
Laura Quercioli Mincer |
| author_sort |
Laura Quercioli Mincer |
| title |
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 |
| title_short |
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 |
| title_full |
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 |
| title_fullStr |
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 |
| title_full_unstemmed |
Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018 |
| title_sort |
vedere il 1968. qualche osservazione in base alla mostra obcy w domu – estranged, museo “polin”, varsavia, 9 marzo-24 settembre 2018 |
| publisher |
Associazione Italiana Polonisti |
| series |
Pl.it |
| issn |
2384-9266 2384-9266 |
| publishDate |
2019-12-01 |
| description |
Illustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna Piotrowska, Erna Rosenstein, and Krzysztof Wodiczko, and on how the exhibition represents some currents in visual studies linked to historical narrative. |
| topic |
visual art anti-semitism historical exhibits polish history cultural memory historical memory |
| url |
https://plitonline.it/2019/plit-10-2019-93-108-laura-quercioli-mincer |
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AT lauraquerciolimincer vedereil1968qualcheosservazioneinbaseallamostraobcywdomuestrangedmuseopolinvarsavia9marzo24settembre2018 |
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1721557575978188800 |