Vedere il 1968. Qualche osservazione in base alla mostra Obcy w domu – Estranged, Museo “Polin”, Varsavia, 9 marzo-24 settembre 2018
Illustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Associazione Italiana Polonisti
2019-12-01
|
| Series: | Pl.it |
| Subjects: | |
| Online Access: | https://plitonline.it/2019/plit-10-2019-93-108-laura-quercioli-mincer |
| Summary: | Illustrating the recent exhibition Estranged / Obcy w domu, the author wonders if, and how, contemporary Polish visual art has contributed to integrating the shame of the anti-Semitic campaign into the collective memory of the nation. She focuses in particular on the works of three artists: Krystyna Piotrowska, Erna Rosenstein, and Krzysztof Wodiczko, and on how the exhibition represents some currents in visual studies linked to historical narrative. |
|---|---|
| ISSN: | 2384-9266 2384-9266 |